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Graphic design in the mechanical age : selections from the Merrill C. Berman collection / Deborah Rothschild, Ellen Lupton, Darra Goldstein.

By: Contributor(s): Publication details: New Haven, Conn. : Yale University Press in conjunction with Williams College Museum of Art [and] Cooper-Hewitt National Design Museum, Smithsonian Institution, c1998.Description: xi, 206 p. : col. ill. ; 29 cmISBN:
  • 0300074948 :
Subject(s): LOC classification:
  • NC997.A4 W487 1998
Summary: Drawing from Merrill C. Berman's private collection of twentieth-century posters, ads, photomontages, and graphic ephemera, this book showcases more than two hundred examples of progressive graphic design from the 1920s and 1930s. European, Soviet, and American avant-garde designers and artists of the time, using new technologies of mass production and mass distribution, marketed everything from salad oil and cigarettes to communism, utopian socialism, and the avant-garde itself. These selections from the Berman Collection, most never before shown or reproduced in the United States, include works by well-known artists (Lissitzky, Rodchenko, Man Ray, and others) and by lesser-known masters. The book begins by detailing Berman's pivotal role in shaping the history of graphic design as he amassed his collection.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection NC 997 .A4 W487 1998 (Browse shelf(Opens below)) Available 603092

"Art and design from the Merrill C. Berman collection" -- Half t.p.

Catalog of an exhibition to be held at the Williams College Museum of Art, Williamstown, Massachusetts and the Cooper-Hewitt National Design Museum, New York, N.Y.

Drawing from Merrill C. Berman's private collection of twentieth-century posters, ads, photomontages, and graphic ephemera, this book showcases more than two hundred examples of progressive graphic design from the 1920s and 1930s. European, Soviet, and American avant-garde designers and artists of the time, using new technologies of mass production and mass distribution, marketed everything from salad oil and cigarettes to communism, utopian socialism, and the avant-garde itself. These selections from the Berman Collection, most never before shown or reproduced in the United States, include works by well-known artists (Lissitzky, Rodchenko, Man Ray, and others) and by lesser-known masters. The book begins by detailing Berman's pivotal role in shaping the history of graphic design as he amassed his collection.

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