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Complete guide to film scoring : the art and business of writing music for movies and TV / Richard Davis.

By: Series: Berklee guidePublication details: Boston, MA : Berklee Press ; Milwaukee, Wis. : Distributed by Hal Leonard, c2010.Edition: 2nd edDescription: xi, 410 p. : ill. ; 23 cmISBN:
  • 9780876391099 (pbk.)
  • 0876391099 (pbk.)
Other title:
  • Film scoring
  • Art and business of writing music for movies and TV
  • Writing music for movies and TV
Subject(s): LOC classification:
  • ML2075 .D38 2010
Contents:
The history of film music: Early films and music : the silent movies ; The first talkies : the beginning of synchronized music ; The studio system and the studio music department ; Musical styles 1930 to 1950 : the golden age of Hollywood ; Musical styles 1950 to 1975 ; 1975 to today ; Film-scoring technology -- Production: The film-making process ; The composer's time frame ; Spotting ; The music editor ; The music team : orchestrators and music preparation ; The recording session and mix -- The music: Creating the music ; Technical requirements of the score ; Syncing the music to picture ; Television ; Ethnic and period music ; Animation ; Songs, soundtracks, and source music -- The business of film scoring: Making the deal : agents, attorneys, and contracts ; Publishing and copyrights ; Royalties ; Demos and marketing ; Finding work -- Interviews: Elmer Bernstein ; Terence Blanchard ; Alf Clausen ; Cliff Eidelman ; Danny Elfman ; Richard Gibbs ; Elliot Goldenthal ; Michael Gorfaine & Sam Schwartz ; Harry Gregson-Williams ; Mark Isham ; Michael Kamen ; Mark Mancina ; David Newman ; David Raksin ; Lolita Ritmanis ; William Ross ; Marc Shaiman ; Alan Silvestri ; Mark Snow ; Richard Stone ; Shirley Walker.
Summary: A guide to the business, process, and procedures for writing music for film or television. Includes interviews with film scoring professionals.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection ML 2075 .D38 2010 (Browse shelf(Opens below)) Available 5026722

Includes bibliographical references and index.

A guide to the business, process, and procedures for writing music for film or television. Includes interviews with film scoring professionals.

Includes bibliographical references and index.

The history of film music: Early films and music : the silent movies ; The first talkies : the beginning of synchronized music ; The studio system and the studio music department ; Musical styles 1930 to 1950 : the golden age of Hollywood ; Musical styles 1950 to 1975 ; 1975 to today ; Film-scoring technology -- Production: The film-making process ; The composer's time frame ; Spotting ; The music editor ; The music team : orchestrators and music preparation ; The recording session and mix -- The music: Creating the music ; Technical requirements of the score ; Syncing the music to picture ; Television ; Ethnic and period music ; Animation ; Songs, soundtracks, and source music -- The business of film scoring: Making the deal : agents, attorneys, and contracts ; Publishing and copyrights ; Royalties ; Demos and marketing ; Finding work -- Interviews: Elmer Bernstein ; Terence Blanchard ; Alf Clausen ; Cliff Eidelman ; Danny Elfman ; Richard Gibbs ; Elliot Goldenthal ; Michael Gorfaine & Sam Schwartz ; Harry Gregson-Williams ; Mark Isham ; Michael Kamen ; Mark Mancina ; David Newman ; David Raksin ; Lolita Ritmanis ; William Ross ; Marc Shaiman ; Alan Silvestri ; Mark Snow ; Richard Stone ; Shirley Walker.

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