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‏السكرية /

al-Sukkarīyah / qiṣṣat Najīb Maḥfūẓ ; sīnāriyū wa-ḥiwār Mamdūḥ al-Laythī ; intāj Ṣubḥī Faraḥāt ; ikhrāj Ḥasan al-Imām.

Contributor(s): Imām, Ḥasan | Shāhīn, Yaḥyá.
Publisher: الدقي، [Giza] : السبكي فيلم للإنتاج السنيمائي، [200-] Publisher: al-Duqqī, [Giza] : al-Subkī Fīlm lil-Intāj al-Sinīmāʼī, [200-]Description: 1 videodisc : black & white, sound ; 4 3/4 in.Content type: two-dimensional moving image Media type: video Carrier type: videodiscUniform titles: Sugar street Related works: Mahfouz, Naguib Author.Subject(s): Motion pictures, Arab
Production Credits: Muhandis al-ṣawt Ḥasan al-Tūnī ; al-mūsīqá al-taṣwīrīyah Fuʼād al-Ẓāhirī ; mudīr al-taṣwīr ʻAbd al-Munʻim Bahnasī.
Yaḥyá Shāhīn, Mīrvat Amīn, Nūr al-Sharīf.Summary: A dramatic work. It's the third part of Najīb Maḥfūẓ's triple fiction (Bayna al-qaṣrayn, Qaṣr al-Shawq, and al-Sukkarīyah). The lights upon al-Sayyid ʻAbd al-Jawwād's family the second and the third generations. It exposed the political and social changes and the effects on his grandsons and granddaughters. While his youngest son Kamal lived in a romantic way. He tried to fined the truth through his romanticizm. The end of this work didn't end by the death of al-Sayyid ʻAbd al-Jawwad but the life continued through the birth of his last grandson.
Holdings
Item type Current library Home library Collection Shelving location Call number Status Date due Barcode
DVDs DVDs American University in Dubai American University in Dubai Fiction AUDIO & DVD Collection DVD Sugar Arabic. (Browse shelf(Opens below)) Available 5157956

Originally released as a motion picture by al-Muttaḥidah lil-Sīnimā, al-Qāhirah, 1973.

Muhandis al-ṣawt Ḥasan al-Tūnī ; al-mūsīqá al-taṣwīrīyah Fuʼād al-Ẓāhirī ; mudīr al-taṣwīr ʻAbd al-Munʻim Bahnasī.

Yaḥyá Shāhīn, Mīrvat Amīn, Nūr al-Sharīf.

A dramatic work. It's the third part of Najīb Maḥfūẓ's triple fiction (Bayna al-qaṣrayn, Qaṣr al-Shawq, and al-Sukkarīyah). The lights upon al-Sayyid ʻAbd al-Jawwād's family the second and the third generations. It exposed the political and social changes and the effects on his grandsons and granddaughters. While his youngest son Kamal lived in a romantic way. He tried to fined the truth through his romanticizm. The end of this work didn't end by the death of al-Sayyid ʻAbd al-Jawwad but the life continued through the birth of his last grandson.

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