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Photography and its origins / edited by Tanya Sheehan and Andrés Mario Zervigón.

Contributor(s): Publisher: London ; New York : Routledge, 2015Description: xv, 237 pages : illustrations (color); 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780415722902 (pbk)
  • 041572290X (pbk)
  • 9780415722896 (hbk)
  • 0415722896 (hbk)
Subject(s): Genre/Form: LOC classification:
  • TR15 .P479 2015
Contents:
PART I. Rethinking first photograph(er)s -- 1. A sensational story: Helmut Gernsheim and "the world's first photograph" -- 2. What's wrong with Daguerre? -- 3.Omphaloskeptical? On Daguerre, smoke drawing, finger painting, and photography -- 4. The past through the looking glass -- PART II. Multiplying beginnings -- 5. Origins without end -- 6. Notes towards new accounts of photography's invention -- 7. Against photographic exceptionalism -- 8. Sacred stories: photography's indigenous origins -- 9. Seeing ourselves as others see us: Frederick Douglass's reflections on daguerreotypy and racial difference -- PART III. Writing (trans)national histories -- 10. "An American sun shines brighter," or, photography was (not) invented in the United States -- 11. The Bertoloni Album: rethinking photography's national identity -- 12. Photography and its Chinese origins -- 13. Looking into the past and present: the origins of photography in Africa -- PART IV. Tracing scientific origins -- 14. Self-reflections: the nature of Sir Humphry Davy's photographic "failures" -- 15. Natural/mechanical: keywords in the conception of early photography -- 16. A note on the science of photography: reconsidering the invention story.
Holdings
Item type Current library Home library Collection Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Non-fiction Main Collection TR 15 .P479 2015 (Browse shelf(Opens below)) Available 5123500

Includes bibliographical references and index.

PART I. Rethinking first photograph(er)s -- 1. A sensational story: Helmut Gernsheim and "the world's first photograph" -- 2. What's wrong with Daguerre? -- 3.Omphaloskeptical? On Daguerre, smoke drawing, finger painting, and photography -- 4. The past through the looking glass -- PART II. Multiplying beginnings -- 5. Origins without end -- 6. Notes towards new accounts of photography's invention -- 7. Against photographic exceptionalism -- 8. Sacred stories: photography's indigenous origins -- 9. Seeing ourselves as others see us: Frederick Douglass's reflections on daguerreotypy and racial difference -- PART III. Writing (trans)national histories -- 10. "An American sun shines brighter," or, photography was (not) invented in the United States -- 11. The Bertoloni Album: rethinking photography's national identity -- 12. Photography and its Chinese origins -- 13. Looking into the past and present: the origins of photography in Africa -- PART IV. Tracing scientific origins -- 14. Self-reflections: the nature of Sir Humphry Davy's photographic "failures" -- 15. Natural/mechanical: keywords in the conception of early photography -- 16. A note on the science of photography: reconsidering the invention story.

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