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MARC view
The social architecture of French cinema, 1929-1939 / Margaret C. Flinn.
Series: Contemporary French and francophone cultures ; 34.Publication details: Liverpool : Liverpool University Press, 2014.Description: x, 244 pages : illustrations ; 24 cmISBN:- 9781781380338 (hbk.)
- 1781380333 (hbk.)
- PN1993.5.F7 F554 2014
Contents:
Introduction: An architecture of social being -- The spatial constitution of 1930s documentary -- René Clair's city views: realism and Studio Paris -- Intertext and political margins in Jean Renoir's Boudu Sauvé des Eaux -- Traversing built history in architectural documentaries -- Flâneuses and the unmaking of place -- The crowd as new monumentality during the popular front -- Epilogue: Poetic realism as spatial fable.
| Item type | Current library | Home library | Shelving location | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Books
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American University in Dubai | American University in Dubai | Main Collection | PN 1993.5 .F7 (Browse shelf(Opens below)) | Available | 5129069 |
Browsing American University in Dubai shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
| PN 1993.5.E3 S424 2007 Popular Egyptian cinema : gender, class, and nation / | PN 1993.5 .E8 L58 2010 Screening strangers : migration and diaspora in contemporary European cinema / | PN1993.5.E8 R38 2017 Mythopoetic cinema : on the ruins of European identity / | PN 1993.5 .F7 The social architecture of French cinema, 1929-1939 / | PN 1993.5 .I8 B3865 2011 Beyond the boundaries of Bollywood : the many forms of Hindi cinema / | PN 1993.5 .I8 B3865 2011 Beyond the boundaries of Bollywood : the many forms of Hindi cinema / | PN 1993.5 .I8 B592 2011 Bollywood and globalization : Indian popular cinema, nation, and diaspora / |
Includes bibliographical references (pages 217-227) and index.
Includes filmography: pages 228-230.
Introduction: An architecture of social being -- The spatial constitution of 1930s documentary -- René Clair's city views: realism and Studio Paris -- Intertext and political margins in Jean Renoir's Boudu Sauvé des Eaux -- Traversing built history in architectural documentaries -- Flâneuses and the unmaking of place -- The crowd as new monumentality during the popular front -- Epilogue: Poetic realism as spatial fable.
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