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Classical art : from Greece to Rome / Mary Beard and John Henderson.

By: Contributor(s): Series: Oxford history of artPublication details: Oxford : Oxford University Press, 2001.Description: 298 p. : ill. (some col.), maps, ports. ; 24 cmISBN:
  • 9780192842374 (pbk.) :
  • 0192842374 (pbk.) :
Subject(s): LOC classification:
  • N5610 .B295 2001
Contents:
Ch. 1. Painting Antiquity: Rediscovering Art -- Ch. 2. Moving Statues: Art in the Age of Imitation -- Ch. 3. Sensuality, Sexuality, and the Love of Art -- Ch. 4. Sizing up Power: Masters of Art -- Ch. 5. Facing up to Antiquity: Art to the Life.
Summary: The stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an enormous impact on the Mediterranean superpower of Rome. Generals, rulers, and artists seized, imitated, and re-thought the stunning legacy of Greek painting and sculpture, culminating in the greatest art-collector the world had ever seen: the Roman emperor Hadrian. This exciting new look at Classical art starts with the excavation of the buried city of Pompeii, and investigates the grandiose monuments of ancient tyrants, and the sensual beauty of Apollo and Venus. Concluding with that most influential invention of all, the human portrait, it highlights the re-discovery of Classical art in the modern world, from the treasure hunts of Renaissance Rome to scientific retrieval of artworks in the twenty-first century.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection N 5610 .B295 2001 (Browse shelf(Opens below)) Available 5055708

Ch. 1. Painting Antiquity: Rediscovering Art -- Ch. 2. Moving Statues: Art in the Age of Imitation -- Ch. 3. Sensuality, Sexuality, and the Love of Art -- Ch. 4. Sizing up Power: Masters of Art -- Ch. 5. Facing up to Antiquity: Art to the Life.

Includes bibliographical references (p. 268-279) and index.

The stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an enormous impact on the Mediterranean superpower of Rome. Generals, rulers, and artists seized, imitated, and re-thought the stunning legacy of Greek painting and sculpture, culminating in the greatest art-collector the world had ever seen: the Roman emperor Hadrian. This exciting new look at Classical art starts with the excavation of the buried city of Pompeii, and investigates the grandiose monuments of ancient tyrants, and the sensual beauty of Apollo and Venus. Concluding with that most influential invention of all, the human portrait, it highlights the re-discovery of Classical art in the modern world, from the treasure hunts of Renaissance Rome to scientific retrieval of artworks in the twenty-first century.

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