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RW : Rachel Whiteread / Charlotte Mullins.

By: Contributor(s): Series: Modern artists | Modern artists (London, England)Publication details: London : Tate, 2004.Description: 123 p. : col. ill. ; 27 cmISBN:
  • 1854375199
Other title:
  • Rachel Whiteread
Subject(s): Summary: Rachel Whiteread (b. 1963) uses materials such as plaster, concrete, resin, and rubber to mold not the object itself but the area within or around it, single-handedly expanding the parameters of contemporary sculpture in the process. This book is the first significant survey of her career and includes a new commentary on key works by the artist. Whiteread first gained wide recognition in 1990 with Ghost, a plaster cast of the interior of an ordinary room. She won the Turner Prize in 1993, the same year as her first large-scale public project, House, a concrete cast of a 19th-century London row house. She has since completed additional site-specific projects: Holocaust Memorial in the Judenplatz, Vienna; Water Tower in New York; and Monument, installed on the empty fourth plinth in Trafalgar Square, London.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection NB 497 .W54 M85 2004 (Browse shelf(Opens below)) Available 653386
Browsing American University in Dubai shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
NB 497 .G65 C35 2010 Antony Gormley / NB 497 .H4 H413 1987 Barbara Hepworth / NB 497 .H57 A4 2004 In-a-gadda-da-vida : Angus Fairhurst, Damien Hirst, Sarah Lucas / NB 497 .W54 M85 2004 RW : Rachel Whiteread / NB 511.5 .M47 A4 2012 Messerschmidt and modernity / NB 553 .R7 R6513 2004 Auguste Rodin / NB 568 .65 .A37 E13 2014 Silent form /

Includes index.

Rachel Whiteread (b. 1963) uses materials such as plaster, concrete, resin, and rubber to mold not the object itself but the area within or around it, single-handedly expanding the parameters of contemporary sculpture in the process. This book is the first significant survey of her career and includes a new commentary on key works by the artist. Whiteread first gained wide recognition in 1990 with Ghost, a plaster cast of the interior of an ordinary room. She won the Turner Prize in 1993, the same year as her first large-scale public project, House, a concrete cast of a 19th-century London row house. She has since completed additional site-specific projects: Holocaust Memorial in the Judenplatz, Vienna; Water Tower in New York; and Monument, installed on the empty fourth plinth in Trafalgar Square, London.

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