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Turkish traditional art today / Henry Glassie ; photographs, drawings, and design by the author.

By: Series: Indiana University Turkish studies ; v. 11 | Indiana University Turkish studies ; 11.Publication details: Bloomington : Indiana University Press, 1993.Description: xi, 947 p. : ill. (some col.), maps ; 26 cmISBN:
  • 0253325552 :
Subject(s): LOC classification:
  • NK1011 .G63 1993
Summary: Turkish Traditional Art Today presents the living arts and artists of Turkey. It is simultaneously an ethnographic inquiry into the nature of art, an introduction to modern Turkey, and a model study of folk art, combining the theories of folklore, anthropology, cultural geography, and art history. Describing his research in the cities, towns, and mountain villages, Glassie ranges widely across media. He tells of architecture, calligraphy, woodworking, and earthenware, but lays particular emphasis on the brilliant, underglaze-painted ceramics of Kutahya and the rich, piled carpets for which Turkey has been famed for centuries. While searching for the traits that define art and the stylistic complexities that characterize Turkish creativity, Glassie focuses on the artists and their theories and practices as well as the works they produce. The result is an account of the current state of Islamic art and a comprehensive analysis of a deep and lively artistic tradition.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection NK 1011 .G63 1993 (Browse shelf(Opens below)) Available 661926
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NK 976 .S53 G67 2008 Art of Siberia / NK 979 .H313 1961 Scandinavian Design. NK 1010 .I54 I58 2001 Ruedi Baur : Integral and Partners. NK 1011 .G63 1993 Turkish traditional art today / NK 1038 .A1 M57 2002 Arabic designs / NK 1038 .A1 M57 2002 Arabic designs / NK 1038 .A1 M57 2002 Arabic designs /

Includes bibliographical references (p. 881-920) and indexes.

Turkish Traditional Art Today presents the living arts and artists of Turkey. It is simultaneously an ethnographic inquiry into the nature of art, an introduction to modern Turkey, and a model study of folk art, combining the theories of folklore, anthropology, cultural geography, and art history. Describing his research in the cities, towns, and mountain villages, Glassie ranges widely across media. He tells of architecture, calligraphy, woodworking, and earthenware, but lays particular emphasis on the brilliant, underglaze-painted ceramics of Kutahya and the rich, piled carpets for which Turkey has been famed for centuries. While searching for the traits that define art and the stylistic complexities that characterize Turkish creativity, Glassie focuses on the artists and their theories and practices as well as the works they produce. The result is an account of the current state of Islamic art and a comprehensive analysis of a deep and lively artistic tradition.

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