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MARC view
Alexey Brodovitch / texte de Gabriel Bauret.
Publication details: Paris : Assouline, [1998]Description: 1 v. (unpaged) : chiefly ill. (some col.) ; 35 cmContent type:- text
- unmediated
- volume
- 2843231167
- Harper's Bazaar.
- NC999.4.B76 A4 1998
| Item type | Current library | Home library | Shelving location | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Books
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American University in Dubai | American University in Dubai | Oversize Books | OS NC 999.4 .B76 A4 1998 (Browse shelf(Opens below)) | Not For Loan | 624775 |
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| OS NA 6750 .L6 Serpentine Gallery pavilions / | OS NA 6821 .I94 1996 Theater design / | OS NA 6840 .C6 A924 2011 Audiovisual communication : [cinema, theather, concert hall] / | OS NC 999.4 .B76 A4 1998 Alexey Brodovitch / | OS NC 980 .K564 2013 M to M of M/M (Paris) / | OS ND 259 .K33 F69513 2000 Frida Kahlo / | OS ND 2898 .V5 A513 1967 European illuminated manuscripts in the Austrian National Library |
Published to coincide with an exhibition titled, "Alexey Brodovitch, la photographie mise en pages," held at the Maison européenne de la photographie, Paris, Feb. 18-May 17, 1998.
Often described as the father of 20th-century art direction, Alexey Brodovitch and his contributions to Harper's Bazaar over the years remain the reference point for several generations of photographers and art directors. Brodovitch was one of the first to incorporate the space available into the overall design -- for example, in his pioneering use of the double-page spread. With an infallible eye, he promoted photographers such as Blumenfeld, Cartler-Bresson, Avedon and Man Ray.
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