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Mondrian / general editor, José María Faerna ; translated from the Spanish by Alberto Curotto.

By: Contributor(s): Language: English Original language: Spanish Series: Great modern mastersPublication details: New York : Cameo/Abrams, 1997.Description: 64 p. : ill. (some col.) ; 32 cmISBN:
  • 0810946874 :
Uniform titles:
  • Mondrian. English
Subject(s): LOC classification:
  • ND653.M76 A4 1997
Summary: After encountering Cubism in 1911, the Dutch abstract painter Piet Mondrian (1872-1944) dedicated himself to eliminating all nonessential elements from his work. His ultimate goal was "the expression of pure reality". By 1918 his subject matter consisted of nothing but vertical and horizontal rectangles and lines, his palette limited to black, white, and gray and the primary colors red, blue, and yellow. Working with this limited range, Mondrian created some of the most grandly austere, and at the same time exhilarating, paintings of the 20th century.Summary: This invaluable introduction takes the reader to the artist's finest works of every period, more than 60 of which are illustrated in full color.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection ND 653 .M76 A4 1997 (Browse shelf(Opens below)) Available 621029
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ND 653 .G7 B6713 1992 Van Gogh : the passionate eye / ND 653 .G7 T66 1999 Van Gogh / ND 653 .G7 V75 2003 Van Gogh's imaginary museum : exploring the artist's inner world / ND 653 .M76 A4 1997 Mondrian / ND 653 .M76 D45 1999 Piet Mondrian, 1872-1944 : structures in space / ND 653 .M76 E43 1968b Mondrian; ND 653 .M76 M55 1994 Mondrian /

Includes bibliographical references (p. 63).

After encountering Cubism in 1911, the Dutch abstract painter Piet Mondrian (1872-1944) dedicated himself to eliminating all nonessential elements from his work. His ultimate goal was "the expression of pure reality". By 1918 his subject matter consisted of nothing but vertical and horizontal rectangles and lines, his palette limited to black, white, and gray and the primary colors red, blue, and yellow. Working with this limited range, Mondrian created some of the most grandly austere, and at the same time exhilarating, paintings of the 20th century.

This invaluable introduction takes the reader to the artist's finest works of every period, more than 60 of which are illustrated in full color.

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