MARC details
| 000 -LEADER |
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| fixed length control field |
03295cam a2200409 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
39011 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240430145353.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
vd |v||z| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
120531t20132013maua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2012021762 |
| 019 ## - |
|---|
| -- |
819941100 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780240817248 (pbk.) : |
| Terms of availability |
34.95 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0240817249 (pbk.) : |
| Terms of availability |
34.95 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Description conventions |
rda |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
| -- |
BTCTA |
| -- |
YDXCP |
| -- |
OCLCO |
| -- |
BWX |
| -- |
AU@ |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
NC1765 |
| Item number |
.G59 2013 |
| 069 ## - |
|---|
| -- |
09632578 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
NC 1765 .G59 2013 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
NC 1765 .G59 2013 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Glebas, Francis. |
| 9 (RLIN) |
150402 |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The animator's eye : |
| Remainder of title |
adding life to animation with timing, layout, design, color and sound / |
| Statement of responsibility, etc |
Francis Glebas. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Burlington, MA : |
| Name of publisher, distributor, etc |
Focal Press, |
| Date of publication, distribution, etc |
2013. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2013 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xi, 289 p. : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
22 x 28 cm + |
| Accompanying material |
1 videodisc (4 3/4 in.) |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Machine generated contents note: Chapter 1: Introduction Chapter 2: Mad Science or Magic? Chapter 3: That Reminds Me of a Story Chapter 4: Why Do We Animate? Chapter 5: Seeing Shapes Drawing Lines Chapter 6: The Laws of Animation Chapter 7: It's Alive! Animating Inner Life Chapter 8: Creating Worlds Chapter 9: Putting It Together in Post Chapter 10: The Evolution of the Animator's Eye Chapter 11: Production: Now We're Cooking! Chapter 12: Who Let These Two in Here? The Evolution of Ig and Bunny Chapter 13: Conclusion: How I Got Eye. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents: Chapter 1: Introduction Chapter 2: Mad Science or Magic? Chapter 3: That Reminds Me of a Story Chapter 4: Why Do We Animate? Chapter 5: Seeing Shapes Drawing Lines Chapter 6: The Laws of Animation Chapter 7: It's Alive! Animating Inner Life Chapter 8: Creating Worlds Chapter 9: Putting It Together in Post Chapter 10: The Evolution of the Animator's Eye Chapter 11: Production: Now We're Cooking! Chapter 12: Who Let These Two in Here? The Evolution of Ig and Bunny Chapter 13: Conclusion: How I Got Eye. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
This is a guide to channeling your vision and imagination. It guides you through the animation design process in a way that only years of expertise can provide. Enhance your animated features and shorts with this polished guide to channeling your vision and imagination from a former Disney animator and director. Learn how to become a strong visual storyteller through better use of color, volume, shape, shadow, and light - as well as discover how to tap into your imagination and refine your own personal vision. Francis Glebas, the director of Piglet's Big Day, guides you through the animation design process in a way that only years of expertise can provide. Discover how to create unique worlds and compelling characters as well as the difference between real-world and cartoon physics as Francis breaks down animated scenes to show you how and why to layout your animation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Animated films. |
| 9 (RLIN) |
26844 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Animation (Cinematography) |
| 9 (RLIN) |
150404 |
| 852 1# - LOCATION/CALL NUMBER |
|---|
| -- |
P34.95usd |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
|
| b |
07-10-13 |
| c |
07-08-13 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Books |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| -- |
audmc |
| Operator's initials, OID (RLIN) |
07-08-13 |
| Cataloger's initials, CIN (RLIN) |
m |
| First Date, FD (RLIN) |
a |
| -- |
- |
| -- |
eng |
| -- |
mau |
| -- |
4 |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| g |
0 |
| i |
5135935 |
| j |
0 |
| l |
audmc |
| o |
- |
| p |
129.00 |
| q |
- |
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| t |
1 |
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0 |
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0 |
| w |
0 |
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i14922745 |
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07-08-13 |