000 | 02116cam a2200337 a 4500 | ||
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001 | 96147153 | ||
003 | DLC | ||
005 | 20240430143734.0 | ||
008 | 050915s1995 enka b 001 0 eng | ||
010 | _a 96147153 | ||
020 | _a071482951X | ||
035 | _a(CStRLIN)NXXA95-B1642 | ||
040 |
_aDLC _cDLC _dDLC |
||
050 | 0 | 0 |
_aNK1270 _b.D36 1995 |
090 | _aNK 1270 .D36 1995 | ||
100 | 1 |
_aDanby, Miles. _960629 |
|
245 | 1 | 0 |
_aMoorish style / _cMiles Danby. |
260 |
_aLondon : _bPhaidon, _c1995. |
||
300 |
_a240 p. : _bill. (some col.) ; _c30 cm. |
||
504 | _aIncludes bibliographical references (p. 235-236) and index. | ||
520 | 0 | _aIn the nineteenth century a fascination with the Orient spread across Europe. The landscapes, townscapes and costumes of the Ottoman, Arab and Mogul worlds provided inspiration for painters from Delacroix to Matisse. When expressed in architecture and design, this phenomenon became known as the Moorish Style. In this magnificently illustrated survey, Miles Danby examines the roots of the style in art and architecture throughout the Islamic world, discussing the factors of space, pattern, structure and decoration. Of all the buildings which exemplify this style, the Alhambra in Granada is perhaps the most important. Expertly recorded by the great nineteenth-century designer Owen Jones, its features became part of the exotic dreams of aesthetes and have continued to inspire architects in the twentieth century. This book is the first to examine the style from its origins to its contemporary manifestation. | |
650 | 0 |
_aDecoration and ornament, Islamic. _960630 |
|
650 | 0 |
_aDecoration and ornament _xIslamic influences. _960631 |
|
650 | 0 |
_aDecoration and ornament, Architectural. _960632 |
|
650 | 0 |
_aArchitecture, Islamic. _960633 |
|
852 | _y12-23-1997 | ||
907 |
_a8443 _b08-06-10 _c08-06-10 |
||
942 |
_cBOOK _03 |
||
998 |
_aaudmc _b12-23-97 _cm _da _e- _feng _genk _h0 |
||
945 |
_g0 _i20902 _j0 _laudmc _nCopy Type:01 - Books _o- _p0.00 _q- _r- _s- _t1 _u3 _v0 _w3 _x0 _yi10121985 _z08-06-10 |
||
999 |
_c8443 _d8443 |