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020 _a0893813621 :
_c22.95
040 _aBaker & Taylor
_cBaker & Taylor
_dBaker & Taylor
050 1 4 _aTR653
_b.K4646 1994
069 _a09482454
090 _aTR 653 .K4646 1994
100 1 _aKertész, André.
_956979
245 1 0 _aAndre Kertesz /
_cwith an essay by Carole Kismaric.
260 _aNew York, N.Y. :
_bAperture,
_cc1993.
300 _a95 p. :
_bill. ;
_c21 cm.
440 0 _aAperture masters of photography ;
_vno. 11
_956980
500 _a"With an essay by Carole Kismaric"--label on t.p.
520 0 _a"I write with light", Andre Kertesz once said of his work. In one of the medium's longest, most productive careers, he created a vast and lyric narrative that shaped the history of photography. The first proponent of the small-format 35-millimeter camera, Kertesz created stunning images of everyday moments, memories, and scenes. His role in the art world was marked by periods of rapturous acclaim and times of regrettable neglect. In pre-World War II Paris, he was recognized as a pioneer in the medium and a celebrated member of a milieu that included Piet Mondrian, Fernand Leger, and Tristan Tzara. Subsequently, he was known as the inspiration to a generation of photographers, including Man Ray, Brassai, Laszlo Moholy-Nagy, and Berenice Abbott. In later years, however, he endured long periods of obscurity. It was not until the early 1960s that a subsequent generation began to look anew and recognize Kertesz's genius. Through more than sixty years of photographing, he worked without pretense, using the camera to question, to record, and to preserve his relationships to the world and to his art. Collected here are the finest images from his life's work.
600 1 0 _aKertész, André.
_956979
650 0 _aPhotography, Artistic.
_956981
700 1 _aKismaric, Carole,
_d1942-
_956982
852 _9p22.95
_y12-13-1998
907 _a7228
_b08-06-10
_c08-06-10
942 _cBOOK
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