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040			_aDLC _cDLC _dDLC
050	0	0	_aNK1510 _b.L38 2000
069			_a09051647
090			_aNK 1510 .L38 1995
090			_aNK 1510 .L38 2000
100	1		_aLauer, David A. _94684
245	1	0	_aDesign basics / _cDavid A. Lauer, Stephen Pentak.
250			_a5th ed.
260			_aFort Worth : _bHarcourt College Publishers, _cc2000.
300			_aix, 278 p. : _bill. (some col.) ; _c28 cm.
504			_aIncludes bibliographical references (p. 267-268) and index.
505	0		_aDesign Principles -- Design Process -- Design Defined -- Procedures -- Steps in the Process -- Thinking -- Form and Content -- Looking -- Sources: Nature -- Sources: History and Culture -- Doing -- Unity -- Harmony -- Visual Unity -- Gestalt -- Ways to Achieve Unity -- Proximity -- Repetition -- Continuation -- Continuity -- Unity with Variety -- The Grid -- Varied Repetition -- Emphasis on Unity -- Emphasis on Variety -- Chaos and Control -- Emphasis/Focal Point -- Ways to Achieve Emphasis -- Emphasis by Contrast -- Emphasis by Isolation -- Emphasis by Placement -- Degree of Emphasis -- Absence of Focal Point -- Scale/Proportion -- Scale of Art -- Human Scale Reference -- Context -- Scale within Art -- Internal Proportions -- Contrast of Scale -- Scale Confusion -- Proportion -- Notions of the Ideal -- Balance -- Horizontal and Vertical Placement -- Symmetrical Balance -- Architectural Examples -- Examples from Various Art Forms -- Asymmetrical Balance -- Balance by Value and Color -- Balance by Shape and Texture -- Balance by Position and Eye Direction -- Analysis Summary -- Radial Balance -- Crystallographic Balance -- Allover Pattern -- Rhythm -- Rhythm and Motion -- Alternating Rhythm -- Progressive Rhythm -- Rhythmic Sensations -- Design Elements -- Line -- Line and Shape -- Types of Line -- Line Direction -- Contour and Gesture -- Line Quality -- Line as Value -- Line in Painting -- Outline of Forms -- Explicit Line -- Lost-and-Found Contour -- Shape/Volume -- Volume/Mass -- Naturalism and Distortion -- Naturalism and Idealism -- Abstraction -- Nonobjective Shapes -- Rectilinear and Curvilinear -- Positive/Negative Shapes -- Integration -- Confusion -- Texture -- Tactile Texture -- Collage -- Visual Texture -- Trompe L'oeil -- Texture and Pattern -- Illusion of Space -- Devices to Show Depth -- Size -- Overlapping -- Vertical Location -- Aerial Perspective -- Linear Perspective -- One-Point Perspective -- Two-Point Perspective -- Multipoint Perspective -- Amplified Perspective -- Multiple Perspective -- Isometric Projection -- Open Form/Closed Form -- Transparency -- Equivocal Space -- Spatial Puzzles -- Illusion of Motion -- Anticipated Motion -- Ways to Suggest Motion -- Figure Repeated -- Blurred Outlines -- Multiple Image -- Value -- Value Pattern -- Value as Emphasis -- Value and Space -- Techniques -- Color -- Color Characteristics -- Properties of Color -- Hue -- Value -- Intensity/Complementary Colors -- Visual Color Mixing -- Cool/Warm Colors -- Color as Emphasis -- Color and Balance -- Color and Space -- Color Schemes -- Monochromatic, Analogous, Complementary, and Triadic -- Color Discord and Vibrating Colors -- Color Uses -- Local, Optical, Arbitrary -- Emotional Color -- Color Symbolism -- Color versus Value.
520		0	_aA flexible, modular format makes Design Basics a popular introduction to two dimensional design. Each concept is presented in a full two-page spread, making the text practical and easy for students to refer to while they work. Visual examples from many periods and cultures are provided for all elements and principles of design.
650		0	_aDesign. _956836
700	1		_aPentak, Stephen. _94682
852			_y10-21-1998
852			_9p81.00 _y09-25-2001
907			_a7180 _b08-06-10 _c08-06-10
942			_cBOOK _011
998			_aaudmc _b10-21-98 _cm _da _e- _feng _gtxu _h0
935			_aLAST BOOK ORDER
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