000			03080cam a2200397 i 4500
999			_c46279 _d46279
001			19078875
005			20240430150048.0
008			160502s2017 caua b 001 0 eng c
010			_a 2016020201
020			_a9781503600324
040			_aCSt/DLC _beng _cCSt _erda _dDLC
042			_apcc
043			_aa-ir---
050	0	0	_aML3917.I7 _bS49 2017
090			_aML 3917 .I7 S49 2017
100	1		_aSiamdoust, Nahid, _eauthor. _925959
245	1	0	_aSoundtrack of the revolution : _bthe politics of music in Iran / _cNahid Siamdoust.
264		1	_aStanford, California : _bStanford University Press, _c[2017]
300			_a353 pages : _billustrations ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aStanford studies in Middle Eastern and Islamic societies and cultures
504			_aIncludes bibliographical references and index.
505	0		_aThe politics of music -- The nightingale rebels -- The musical guide : Mohammad Reza Shajarian -- Revolution and ruptures -- Opening the floodgates to pop music : Alireza Assar -- Rebirth of independent music -- Purposefully "fālsh" : Mohsen Namjoo -- Going underground -- Rap-e Farsi : Hichkas -- The music of politics.
520			_aMusic was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran-Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians-a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper-each with markedly different political views and relations with the Iranian government.
650		0	_aMusic _xPolitical aspects _zIran _xHistory. _925960
651		0	_aIran _xPolitics and government _y1979-1997. _925961
651		0	_aIran _xPolitics and government _y1997- _925962
776	0	8	_iOnline version: _aSeyedsayamdost, Nahid, author. _tSoundtrack of the revolution _dStanford, California : Stanford University Press, 2017 _z9781503600966 _w(DLC) 2016020972
830		0	_aStanford studies in Middle Eastern and Islamic societies and cultures. _919707
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBOOK
907			_a46279