000 03296cam a2200517Mi 4500
001 ocn806232267
003 OCoLC
005 20240430145722.0
008 120109s2012 nyu b 001 0 eng
010 _a 2011050251
020 _a9781441142580
020 _a1441142584
020 _a9781441130914
020 _a1441130918
020 _a9781441136077
020 _a144113607X
020 _a9781441115065
020 _a1441115064
029 0 _aAU@
_b000048418249
035 _a(OCoLC)806232267
040 _aAU@
_beng
_erda
_cAU@
_dLHU
_dOCLCQ
_dOCLCF
_dOCLCO
_dOCLCQ
049 _aTSAA
050 0 0 _aN6490
_b.C765 2012
090 _aN 6490 .C765 2012
100 1 _aCrowther, Paul.
_94968
245 1 4 _aThe phenomenology of modern art :
_bexploding Deleuze, illuminating style /
_cPaul Crowther.
250 _aFirst [edition].
260 _aNew York :
_bContinuum International Publishing Group,
_c2012.
300 _apages cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction: The Interpretation of Modern Art -- 1. Releasing Style from Sensation: Deleuze, Francis Bacon and Modern Painting -- 2. Origins of Modernism and the Avant-Garde -- 3. Nietzsche and the Varieties of Expressionism -- 4. Merleau-Ponty's Cezanne -- 5. Interpreting Cubist Space: From Kant to Phenomenology -- 6. Duchamp, Kant, and Conceptual Phenomena -- 7. Greenberg's Kant and Modernist Painting -- 8. Deleuze and the Interpretation of Abstract Art -- 9. Plane Truths: Hans Hofmann, Modern Art and the Meaning of Abstraction.
520 _a"As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. The Phenomenology of Modern Art uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art.
520 _aPaul Crowther explores this thematic approach in a new way, addressing specific visual artworks and tendencies in detail and introduces a new methodology - post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some unexpected phenomenological resources. Gilles Deleuze, rarely associated with phenomenology, in fact employs an overriding phenomenological orientation in his focus on modern art. Crowther uses Deleuze's important phenomenological insights as a starting point and goes on to develop arguments found in two other thinkers, Nietzsche and Merleau-Ponty, as well as addressing those figures and tendencies in relation to whom twentieth-century critical appropriations of Kant have been most influential. Accompanied by illustrations, the book offers the first sustained phenomenological approach to modern art."--Pub. desc.
600 1 0 _aDeleuze, Gilles,
_d1925-1995.
_93690
600 1 7 _aDeleuze, Gilles,
_d1925-1995.
_2fast
_93690
648 7 _a1900 - 1999
_2fast
_9567
650 0 _aArt, Modern
_y20th century.
_94995
650 0 _aPhenomenology.
_94970
650 7 _aArt, Modern.
_2fast
_94996
650 7 _aPhenomenology.
_2fast
_94970
942 _2lcc
_cBOOK
999 _c42466
_d42466
907 _a42466