000 | 03296cam a2200517Mi 4500 | ||
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001 | ocn806232267 | ||
003 | OCoLC | ||
005 | 20240430145722.0 | ||
008 | 120109s2012 nyu b 001 0 eng | ||
010 | _a 2011050251 | ||
020 | _a9781441142580 | ||
020 | _a1441142584 | ||
020 | _a9781441130914 | ||
020 | _a1441130918 | ||
020 | _a9781441136077 | ||
020 | _a144113607X | ||
020 | _a9781441115065 | ||
020 | _a1441115064 | ||
029 | 0 |
_aAU@ _b000048418249 |
|
035 | _a(OCoLC)806232267 | ||
040 |
_aAU@ _beng _erda _cAU@ _dLHU _dOCLCQ _dOCLCF _dOCLCO _dOCLCQ |
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049 | _aTSAA | ||
050 | 0 | 0 |
_aN6490 _b.C765 2012 |
090 | _aN 6490 .C765 2012 | ||
100 | 1 |
_aCrowther, Paul. _94968 |
|
245 | 1 | 4 |
_aThe phenomenology of modern art : _bexploding Deleuze, illuminating style / _cPaul Crowther. |
250 | _aFirst [edition]. | ||
260 |
_aNew York : _bContinuum International Publishing Group, _c2012. |
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300 | _apages cm | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: The Interpretation of Modern Art -- 1. Releasing Style from Sensation: Deleuze, Francis Bacon and Modern Painting -- 2. Origins of Modernism and the Avant-Garde -- 3. Nietzsche and the Varieties of Expressionism -- 4. Merleau-Ponty's Cezanne -- 5. Interpreting Cubist Space: From Kant to Phenomenology -- 6. Duchamp, Kant, and Conceptual Phenomena -- 7. Greenberg's Kant and Modernist Painting -- 8. Deleuze and the Interpretation of Abstract Art -- 9. Plane Truths: Hans Hofmann, Modern Art and the Meaning of Abstraction. | |
520 | _a"As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. The Phenomenology of Modern Art uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. | ||
520 | _aPaul Crowther explores this thematic approach in a new way, addressing specific visual artworks and tendencies in detail and introduces a new methodology - post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some unexpected phenomenological resources. Gilles Deleuze, rarely associated with phenomenology, in fact employs an overriding phenomenological orientation in his focus on modern art. Crowther uses Deleuze's important phenomenological insights as a starting point and goes on to develop arguments found in two other thinkers, Nietzsche and Merleau-Ponty, as well as addressing those figures and tendencies in relation to whom twentieth-century critical appropriations of Kant have been most influential. Accompanied by illustrations, the book offers the first sustained phenomenological approach to modern art."--Pub. desc. | ||
600 | 1 | 0 |
_aDeleuze, Gilles, _d1925-1995. _93690 |
600 | 1 | 7 |
_aDeleuze, Gilles, _d1925-1995. _2fast _93690 |
648 | 7 |
_a1900 - 1999 _2fast _9567 |
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650 | 0 |
_aArt, Modern _y20th century. _94995 |
|
650 | 0 |
_aPhenomenology. _94970 |
|
650 | 7 |
_aArt, Modern. _2fast _94996 |
|
650 | 7 |
_aPhenomenology. _2fast _94970 |
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942 |
_2lcc _cBOOK |
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999 |
_c42466 _d42466 |
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907 | _a42466 |