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008 140211s2014 enka b 001 0 eng
010 _a 2013049287
015 _aGBB451465
_2bnb
016 7 _a016714949
_2Uk
020 _a9781628922981
020 _a1628922982
020 _a9781628926927
020 _a1628926929
029 1 _aCHBIS
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029 1 _aCHVBK
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029 1 _aNZ1
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029 1 _aUNITY
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035 _a(OCoLC)857981529
_z(OCoLC)880197135
_z(OCoLC)904331174
040 _aDLC
_beng
_erda
_cDLC
_dYDX
_dBTCTA
_dBDX
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042 _apcc
049 _aTSAA
050 0 0 _aTR 891
_b.L36 2014
090 _aTR 891 .L36 2014
100 1 _aLandau, David,
_d1956-
_94546
245 1 0 _aLighting for cinematography :
_ba practical guide to the art and craft of lighting for the moving image /
_cDavid Landau.
264 1 _aLondon ;
_aNew York, USA :
_bBloomsbury,
_c2014.
300 _avi, 275 pages :
_billustrations (chiefly color) ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aCineTech guides to the film crafts
504 _aIncludes bibliographical references (pages 261-264) and index.
505 0 _aIntroduction: No matter how good a camera, good lighting is what sells the picture -- The magic of light: what lighting does and what we can make it do -- Who and what makes light?: the lighting crew, lighting units, basic electricity -- Lighting the subject: motivation and three-point lighting -- Lighting the shot, not just the subject: more than three lights, three planes of lighting -- Common practical lighting setups: cross key, chicken coop, China ball, bathrooms -- Lighting for movement: subject and camera, ambient soft lighting -- Dealing with daylight 1: shooting exteriors -- Dealing with daylight 2: working with windows -- Night light: lighting night exteriors and interiors -- Working with color: using color for mood and using gels -- Light the scene, not just the shot: high key, low key, contrast ratios, exposure choice, Chiaroscuro lighting, Rembrandt, and butterfly lighting -- Special lighting considerations and effects: fire, water, rain, fog, lightning, poor man's process shot, green screen, and product shots -- Nonfiction lighting: interview, corporate, newsmagazine, documentary, reality -- Inspiration and lighting looks -- Appendix 1: Advice from the field: interviews with cameramen and gaffers -- Appendix 2: Resources.
520 _a"We can't shoot good pictures without good lighting, no matter how good the newest cameras are. Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it's amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake. Lighting for Cinematography, the first volume in the new CineTech Guides to the Film Crafts, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and can augment an artistic style. Structured to mimic a 14 week semester, the chapters cover such things as lighting for movement, working with windows, night lighting, lighting the three plains of action and non-fiction lighting. Every chapter includes stills, lighting diagrams and key advice from professionals in the field, as well as lighting exercises for the reader to put into practice what was covered"--
520 _a"A how-to book on the art, craft and practice of lighting for film & video for students and filmmakers"--
650 0 _aCinematography
_xLighting.
_94547
650 7 _aPERFORMING ARTS
_xFilm & Video
_xGeneral.
_2bisacsh
_94548
650 7 _aPERFORMING ARTS
_xTelevision
_xDirection & Production.
_2bisacsh
_94549
650 7 _aCinematography
_xLighting.
_2fast
_94547
942 _2lcc
_cBOOK
907 _a42434