| 000 | 02518cam a2200457Ii 4500 | ||
|---|---|---|---|
| 001 | ocn865469461 | ||
| 003 | OCoLC | ||
| 005 | 20240430145708.0 | ||
| 008 | 131212s2013 gw a b 000 0deng d | ||
| 010 | _a 2014413456 | ||
| 020 | _a9783943365894 | ||
| 020 | _a3943365891 | ||
| 029 | 1 |
_aAU@ _b000053710569 |
|
| 029 | 1 |
_aGBVCP _b76620183X |
|
| 029 | 1 |
_aNZ1 _b15253462 |
|
| 035 |
_a(OCoLC)865469461 _z(OCoLC)862101926 |
||
| 040 |
_aERASA _beng _erda _cERASA _dCUI _dOCLCO _dYDXCP _dBTCTA _dOHX _dJPG _dOCLCF _dDLC _dGBVCP _dOCLCQ |
||
| 049 | _aTSAA | ||
| 050 | 4 |
_aPN1995.2 _b.L88x 2013 |
|
| 072 | 7 |
_aN _2lcco |
|
| 072 | 7 |
_aPN _2lcco |
|
| 090 | _aPN 1995.2 .L88 2013 | ||
| 100 | 1 |
_aLütticken, Sven, _eauthor. _93829 |
|
| 245 | 1 | 0 |
_aHistory in motion : _btime in the age of the moving image / _cSven Lütticken. |
| 264 | 1 |
_aBerlin : _bSternberg Press, _c2013. |
|
| 300 |
_a311 pages : _billustrations ; _c22 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 304-310). | ||
| 520 | 8 | _aThe moving image has irrevocably redefined our experience and construction of history. In the contemporary economy of time, history has become an image in motion, a series of events animated and performed through various media. Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present. In the process, he considers the role of shock and suspense, of play and games, the rise and ubiquity of television, transformed notions of leisure and labor time, and a new "natural history" marked by climate change. The interplay between the time of daily life and historical time end between live event and mediatization is at the core of History in Motion. In this context, Lütticken questions the relation between the representations or restagings of the past and the events of a history that is currently in progress. This history in motion constitutes a fractured present in which possible futures are implicit. | |
| 650 | 0 |
_aMotion pictures and history. _93830 |
|
| 650 | 0 |
_aMass media and the arts. _93831 |
|
| 650 | 0 |
_aArts and history. _93832 |
|
| 650 | 7 |
_aArts and history. _2fast _93832 |
|
| 650 | 7 |
_aMass media and the arts. _2fast _93831 |
|
| 650 | 7 |
_aMotion pictures and history. _2fast _93830 |
|
| 650 | 7 |
_aFilm _2gnd _93833 |
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| 942 |
_2lcc _cBOOK |
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| 999 |
_c42322 _d42322 |
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| 907 | _a42322 | ||