000 | 05777cam a22006494a 4500 | ||
---|---|---|---|
001 | ocm49225386 | ||
003 | OCoLC | ||
005 | 20240430145703.0 | ||
008 | 020221s2002 nyu b 001 0 eng | ||
010 | _a 2002002908 | ||
015 |
_aGBA2W4284 _2bnb |
||
015 |
_aGBA301922 _2bnb |
||
020 | _a1581152353 | ||
020 | _a9781581152357 | ||
029 | 1 |
_aAU@ _b000023394409 |
|
029 | 1 |
_aAU@ _b000025225579 |
|
029 | 1 |
_aAU@ _b000046688422 |
|
029 | 1 |
_aDEBBG _bBV017068358 |
|
029 | 1 |
_aHEBIS _b186795777 |
|
029 | 1 |
_aIG# _b9781581152357 |
|
029 | 1 |
_aNZ1 _b6771745 |
|
029 | 1 |
_aYDXCP _b1855662 |
|
029 | 1 |
_aZWZ _b115329307 |
|
035 |
_a(OCoLC)49225386 _z(OCoLC)50099947 _z(OCoLC)56451766 _z(OCoLC)223224547 _z(OCoLC)493431034 _z(OCoLC)690091875 |
||
037 |
_a1105716 _bQBI |
||
040 |
_aDLC _beng _cDLC _dQBX _dUKM _dBAKER _dBTCTA _dLVB _dYDXCP _dIG# _dZWZ _dOKN _dZR1 _dHV6 _dVP@ _dOCLCF _dK6U _dOMB |
||
042 | _apcc | ||
049 | _aTSAA | ||
050 | 0 | 0 |
_aNC997 _b.L6333 2002 |
090 | _aNC 997 .L6333 2002 | ||
245 | 0 | 0 |
_aLooking closer four: _n4, _pCritical writings on graphic design / _cedited by Michael Bierut, William Drenttel, and Steven Heller. |
260 |
_aNew York : _bAllworth Press, _cc2002. |
||
300 |
_axi, 291 p. ; _c26 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gIntroduction / _rSteven Heller -- _tTo the barricades : _tFirst things first manifesto 2000 -- _tFirst things first, a brief history / Rick Poynor -- _tFirst things first: now more than ever / _rMatt Soar -- _tJust say no, quietly / _rMonika Parrinder -- _tCan designers save the world? (And should they try?) / _rNico Macdonald -- _tThe people v. the corporate cool machine / _rKalle Lasn -- _tA manifesto with ten footnotes / _rMichael Bierut -- _tA new kind of dialogue / _rAndrew Howard -- _tThe spectacle: a reevaluation of the situationist thesis / _rVeronique Vienne -- _tOn FTF / _rLoretta Staples -- _tCulture agents : _tWhy Johnny can't dissent / _rThomas Frank -- _tCulture agents / _rMax Bruinsma -- _tThe case for brands / the editors of the Economist -- _tTruth in advertising / _rNaomi Klein -- _tSustainable consumerism / _rChris Riley -- _tDon't let the buggers grind you down! / _rKen Garland -- _tSaving advertising / _rJelly Helm -- _tSaving Jelly / _rMichael Rock -- _tReading at the breakfast table / _rNatalia Ilyin -- _tManifestos : _tMe, the undersigned / _rJessica Helfand -- _tAn incomplete manifesto for growth / _rBruce Mau -- _tFuck committees (I believe in lunatics) / _rTibor Kalman -- _tThe vow of chastity / _rFirst-year students at Central St. Martins College of Art and Design, London -- _tCritical languages : _tThe time for being against / _rRick Poynor -- _tTheory is a good idea / _rMatt Soar -- _tThat was then, and this is now: but what is next? / _rLorraine Wild -- _tWhat happens when the edges dissolve? / _rLoretta Staples -- _tThe trouble with type / _rRudy VanderLans -- _tIs it better to revive than to deceive? Design and complicity: Herbert Buyer's silent legacy / _rSol Sender -- _tDe stijl, new media, and the lessons of geometry / _rJessica Helfand -- _tThe critical "languages" of graphic design / _rJohanna Drucker -- _tState of the arts : _tGraphic design and the next big thing / _rRudy VanderLans -- _tTelling the truth? / _rMilton Glaser -- _tWho needs ethics / _rTim Rich -- _tHuman dignity and human rights: thoughts on the principles of human-centered design / _rRichard Buchanan -- _tA manifesto of inclusivism / _rPaul J. Nini -- _tGreasing the wheels of capitalism with style and taste, or, the "professionalization" of American graphic design / _rMr. Keedy -- _tNo problem / _rJulie Lasky -- _tTerminal terminology / _rKatherine McCoy -- _tThe hole in art's umbrella / _rRoy R. Behrens -- _tGraphic news / _rJohn Hockenberry -- _tMovie titles: much ado about little / _rPeter Hall -- _tThe name game / _rRuth Shalit -- _tAuthorship : _tThe designer as author / _rMichael Rock -- _tBattle of the big books / _rRick Poynor -- _tAll hail Mau the magnificent / _rRobert Fulford -- _tHalf empty / _rThomas Frank -- _tLost in sound / _rRick Poynor -- _tMeditations : _tGetting real / _rRalph Caplan -- _tLeast designed and most read / _rQuentin Newark -- _tThe handwriting is on the wall, but who can read it? / _rTodd Lief -- _tLet the buyer beware / _rVeronique Vienne -- _tBeige / _rAndrea Codrington -- _tThe flag waverer / _rSteven Heller. |
520 | _aThis collection of ... essays published from 1997-2000, in professional and general-interest design magazines alike, offers ... critical discussions on the issues and objects of contemporary graphic design. Among the important themes discussed are: both sides of the controversy over the First Things First Manifesto 2000, a call for greater responsiblility in the design profession, the notion of the graphic designer as "auteur, " and the role of graphic design as a force in a growing visual culture. Offering an overview of the evolution of twentieth-century graphic design and design criticism, [this book] focuses in on the many hot-button issues that have emerged in the field.-Back cover. | ||
650 | 0 |
_aCommercial art. _93216 |
|
650 | 0 |
_aGraphic arts. _93217 |
|
650 | 0 |
_aArt and society. _92727 |
|
650 | 6 |
_aArt publicitaire. _92502 |
|
650 | 6 |
_aArts graphiques. _92503 |
|
650 | 6 |
_aArt et société _93218 |
|
650 | 7 |
_aArt and society. _2fast _92727 |
|
650 | 7 |
_aCommercial art. _2fast _93216 |
|
650 | 7 |
_aGraphic arts. _2fast _93217 |
|
650 | 7 |
_aArts graphiques. _2ram _92503 |
|
650 | 7 |
_aDesign. _2ram _93219 |
|
650 | 7 |
_aDesigners. _2ram _93220 |
|
700 | 1 |
_aBierut, Michael. _91770 |
|
700 | 1 |
_aDrenttel, William. _91771 |
|
700 | 1 |
_aHeller, Steven. _91772 |
|
942 |
_2lcc _cBOOK |
||
999 |
_c42269 _d42269 |
||
907 | _a42269 |