000			03830cam a22006014a 4500
001			ocn225876053
003			OCoLC
005			20240430145657.0
008			080624s2009 ilua b 001 0 eng
010			_a 2008028193
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016	7		_a014707704 _2Uk
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020			_a0226501345
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029	1		_aHEBIS _b210313048
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029	1		_aNZ1 _b13247088
035			_a(OCoLC)225876053 _z(OCoLC)245559884
040			_aDLC _beng _cDLC _dBTCTA _dBAKER _dYDXCP _dC#P _dBWX _dCDX _dSOI _dIBS _dHEBIS _dOCLCQ _dALAUL _dDEBSZ _dMIX _dBDX _dVP@ _dOCLCA _dOCLCQ _dOCLCO _dOCLCQ _dOCLCF _dOCLCQ _dUKM _dOCLCQ
043			_ae-it---
049			_aTSAA
050	0	0	_aPN1998.3.P367 _bM34 2009
090			_aPN 1998.3 .P367 M34 2009
100	1		_aMaggi, Armando. _92693
245	1	4	_aThe resurrection of the body : _bPier Paolo Pasolini from Saint Paul to Sade / _cArmando Maggi.
260			_aChicago : _bUniversity of Chicago Press, _c2009.
300			_avii, 411 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction : Sodom, its inhabitants, and its language in Pasolini's final works -- A body of nostalgia : Pasolini's self-portrait in the film project Saint Paul -- The journey to Sodom and Gomorrah and beyond : the scenario Porn-theo-colossal -- "A diluted reel of film in my brain" : to preach a new "word of abjuration" in Petrolio -- To give birth in Salò and Sade's The 120 days of Sodom -- Conclusion : "a schizophrenic child is a tiny dot, I dreamed once" : metamorphosis in Mario Mieli and Pasolini.
520			_a"Italian novelist, poet, and filmmaker Pier Paolo Pasolini was brutally killed in Rome in 1975, a macabre end to a career that often explored humanity's capacity for violence and cruelty. Along with the mystery of his murderer's identity, Pasolini left behind a controversial but acclaimed oeuvre as well as a final quartet of beguiling projects that signaled a radical change in his aesthetics and view of reality. The Resurrection of the Body is an original and compelling interpretation of these final works: the screenplay Saint Paul, the scenario for Porn-Theo-Colossal, the immense and unfinished novel Petrolio, and his notorious final film, Salò or the 120 Days of Sodom, a disturbing adaptation of the writings of the Marquis de Sade. Together these works, Armando Maggi contends, reveal Pasolini's obsession with sodomy and its role within his apocalyptic view of Western society. One of the first studies to explore the ramifications of Pasolini's homosexuality, The Resurrection of the Body also breaks new ground by putting his work into fruitful conversation with an array of other thinkers such as Freud, Strindberg, Swift, Henri Michaux, and Norman O. Brown."--Jacket.
600	1	0	_aPasolini, Pier Paolo, _d1922-1975 _xCriticism and interpretation. _92352
600	1	7	_aPasolini, Pier Paolo, _d1922-1975. _2fast _92694
600	1	7	_aPasolini, Pier Paolo. _2swd _92695
648		7	_a1900 - 1999 _2fast _9567
650		0	_aAuthors, Italian _y20th century _vBiography. _92696
650		0	_aMotion picture producers and directors _zItaly _y20th century _vBiography. _92697
650		7	_aAuthors, Italian. _2fast _92698
650		7	_aMotion picture producers and directors. _2fast _92699
650	0	7	_aFilm. _2swd _92700
651		7	_aItaly. _2fast _92701
655		7	_aBiography. _2fast _9465
655		7	_aCriticism, interpretation, etc. _2fast _91152
942			_2lcc _cBOOK
999			_c42194 _d42194
907			_a42194