000 | 03420cam a2200613 i 4500 | ||
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001 | ocn885377980 | ||
003 | OCoLC | ||
005 | 20240430145649.0 | ||
008 | 140721s2015 enka b 001 0 eng | ||
010 | _a 2014017386 | ||
015 |
_aGBB4C6247 _2bnb |
||
016 | 7 |
_a016939355 _2Uk |
|
020 | _a9780857856333 (paperback) | ||
020 | _a0857856332 (paperback) | ||
020 | _a9780857857675 (hardback) | ||
020 | _a0857857673 (hardback) | ||
020 | _z9780857855664 (ePub) | ||
020 | _z9780857855336 (ePDF) | ||
029 | 1 |
_aNZ1 _b15783994 |
|
029 | 1 |
_aCHVBK _b329393812 |
|
029 | 1 |
_aCHBIS _b010178262 |
|
029 | 1 |
_aAU@ _b000053640771 |
|
035 |
_a(OCoLC)885377980 _z(OCoLC)867765644 _z(OCoLC)867765659 |
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040 |
_aDLC _beng _erda _cDLC _dYDX _dIAD _dYDXCP _dUKMGB _dBTCTA _dBDX _dERASA _dCDX _dOCLCF _dPUL _dCHVBK |
||
042 | _apcc | ||
049 | _aTSAA | ||
050 | 0 | 0 |
_aZ246 _b.B83 2015 |
090 | _aZ 246 .B83 2015 | ||
100 | 1 |
_aBrownie, Barbara. _91806 |
|
245 | 1 | 0 |
_aTransforming type : _bnew directions in kinetic typography / _cBarbara Brownie. |
264 | 1 |
_aLondon ; _aNew York : _bBloomsbury, _c2015. |
|
300 |
_axiv, 112 pages, 16 colored plates : _billustrations ; _c26 cm |
||
336 |
_atext _2rdacontent _btxt |
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337 |
_aunmediated _2rdamedia _bn |
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338 |
_avolume _2rdacarrier _bnc |
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504 | _aIncludes bibliographical references (pages 103-110) and index. | ||
505 | 0 | _aPart 1: Mapping the Field: Categories of Kineticism -- Chapter 1: What is Kineticism? -- Chapter 2: Global v. Local Events -- Chapter 3: Local Kineticism and Fluctuating Identity -- Part 2: Issues in Transforming Typography -- Chapter 4: Illusory Space: The Page and Screen as a Virtual Environment -- Chapter 5: Legibility and Asemisis in Fluid Typography -- Chapter 6: Reactive and Generative Behaviors -- Part 3: Case Studies -- Chapter 7: Fluid Branding: Channel 4 and its imitators -- Chapter 8: Telling Titles: The credit sequences of Kyle Cooper and his peers -- Chapter 9: Kinetic Poetry -- Conclusion -- Appendix: Categories of Temporal Typography. | |
520 | _a"Transforming Type examines kinetic, or moving type, in a range of fields including film, television, typographic animation, and motion graphics, with examples including film and television title sequences, television idents, advertising, interactive poetry and experimental animation. Barbara Brownie addresses different kinds of kineticism and the issues that arise when type transforms itself, challenging the boundaries between type and image. She explores the extent to which existing typography theory can be applied to kinetic media, and attempts to provide a new typology of kinetic typography, enabling readers to define and describe contemporary practice"-- | ||
650 | 0 |
_aGraphic design (Typography) _91807 |
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650 | 0 |
_aKinetic art. _91808 |
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650 | 0 |
_aCredit titles (Motion pictures, television, etc.) _91809 |
|
650 | 0 |
_aLogos (Symbols) _91810 |
|
650 | 7 |
_aDESIGN / General. _2bisacsh _91213 |
|
650 | 7 |
_aDESIGN / Graphic Arts / General. _2bisacsh _91811 |
|
650 | 7 |
_aCredit titles (Motion pictures, television, etc.) _2fast _91809 |
|
650 | 7 |
_aGraphic design (Typography) _2fast _91807 |
|
650 | 7 |
_aKinetic art. _2fast _91808 |
|
650 | 7 |
_aLogos (Symbols) _2fast _91810 |
|
650 | 7 |
_aTypographie. _2gnd _91812 |
|
650 | 7 |
_aKinetik. _2gnd _91813 |
|
650 | 7 |
_aBewegung. _2gnd _91814 |
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942 |
_2lcc _cBOOK |
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999 |
_c42125 _d42125 |
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907 | _a42125 |