| 000 | 02641cam a2200445 i 4500 | ||
|---|---|---|---|
| 001 | ocn870986408 | ||
| 003 | OCoLC | ||
| 005 | 20240430145639.0 | ||
| 008 | 140609s2015 enka b 001 0 eng | ||
| 010 | _a 2014022345 | ||
| 020 | _a9780415722902 (pbk) | ||
| 020 | _a041572290X (pbk) | ||
| 020 | _a9780415722896 (hbk) | ||
| 020 | _a0415722896 (hbk) | ||
| 020 | _z9781315740096 (ebk) | ||
| 029 | 1 |
_aAU@ _b000053940133 |
|
| 029 | 1 |
_aCHVBK _b336323557 |
|
| 029 | 1 |
_aCHBIS _b010452340 |
|
| 035 |
_a(OCoLC)870986408 _z(OCoLC)870991530 |
||
| 040 |
_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dBDX _dOCLCF _dPUL _dZCU _dCOO _dAVA |
||
| 042 | _apcc | ||
| 049 | _aTSAA | ||
| 050 | 0 | 0 |
_aTR15 _b.P479 2015 |
| 090 | _aTR 15 .P479 2015 | ||
| 245 | 0 | 0 |
_aPhotography and its origins / _cedited by Tanya Sheehan and Andrés Mario Zervigón. |
| 264 | 1 |
_aLondon ; _aNew York : _bRoutledge, _c2015. |
|
| 300 |
_axv, 237 pages : _billustrations (color); _c24 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aPART I. Rethinking first photograph(er)s -- 1. A sensational story: Helmut Gernsheim and "the world's first photograph" -- 2. What's wrong with Daguerre? -- 3.Omphaloskeptical? On Daguerre, smoke drawing, finger painting, and photography -- 4. The past through the looking glass -- PART II. Multiplying beginnings -- 5. Origins without end -- 6. Notes towards new accounts of photography's invention -- 7. Against photographic exceptionalism -- 8. Sacred stories: photography's indigenous origins -- 9. Seeing ourselves as others see us: Frederick Douglass's reflections on daguerreotypy and racial difference -- PART III. Writing (trans)national histories -- 10. "An American sun shines brighter," or, photography was (not) invented in the United States -- 11. The Bertoloni Album: rethinking photography's national identity -- 12. Photography and its Chinese origins -- 13. Looking into the past and present: the origins of photography in Africa -- PART IV. Tracing scientific origins -- 14. Self-reflections: the nature of Sir Humphry Davy's photographic "failures" -- 15. Natural/mechanical: keywords in the conception of early photography -- 16. A note on the science of photography: reconsidering the invention story. | |
| 650 | 0 |
_aPhotography _xHistory. _9982 |
|
| 650 | 7 |
_aPhotography. _2fast _9983 |
|
| 655 | 7 |
_aHistory. _2fast _960 |
|
| 700 | 1 |
_aSheehan, Tanya, _d1976- _eeditor. _9984 |
|
| 700 | 1 |
_aZervigón, Andrés Mario, _eeditor. _9985 |
|
| 942 |
_2lcc _cBOOK |
||
| 999 |
_c42003 _d42003 |
||
| 907 | _a42003 | ||