000 | 01550pam a2200349 a 4500 | ||
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001 | 41755 | ||
003 | AU | ||
005 | 20240430145622.0 | ||
008 | 840515s1985 maua b 00110 eng | ||
010 | _a 84011315 | ||
020 |
_a9780262610469 (pbk.) : _c36.95 |
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_a0262610469 (pbk.) : _c36.95 |
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050 | 0 |
_aN6490 _b.K727 1985 |
|
069 | _a09383468 | ||
090 | _aN 6490 .K727 1985 | ||
090 | _aN 6490 .K727 1985 | ||
100 | 1 |
_aKrauss, Rosalind E. _915703 |
|
245 | 1 | 4 |
_aThe originality of the avant-garde and other modernist myths / _cRosalind E. Krauss. |
260 |
_aCambridge, Mass. : _bMIT Press, _cc1985. |
||
300 |
_a307 p. : _bill. ; _c24 cm. |
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505 | 0 | _aIn this challenging collection of fifteen essays, most of which originally appeared in October, Rosalind Krauss explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde | |
504 | _aIncludes bibliographical references and index. | ||
650 | 0 |
_aAvant-garde (Aesthetics) _xHistory _y20th century. _9107124 |
|
650 | 0 |
_aModernism (Art) _xThemes, motives. _9107128 |
|
650 | 0 |
_aCreation (Literary, artistic, etc.) _xPsychological aspects. _9107129 |
|
852 | 1 | _9P36.95usd | |
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_a41755 _b07-13-15 _c07-09-15 |
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