000 | 03213cam a2200553 a 4500 | ||
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001 | ocm42621760 | ||
003 | OCoLC | ||
005 | 20240430145547.0 | ||
008 | 991007s2000 enka 000 0 eng | ||
015 | _aGB99-V4988 | ||
015 | _aGb99V4988 | ||
019 | _a777323892 | ||
020 |
_a0471629758 : _c67.98 |
||
020 |
_a9780471629757 : _c67.98 |
||
035 |
_a(OCoLC)42621760 _z(OCoLC)777323892 |
||
040 |
_aUKM _beng _cUKM _dCUS _dWAU _dBAKER _dYDXCP _dSTF _dOCLCQ _dA7U _dLND _dOCLCO _dOCLCF |
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049 | _aTSAA | ||
050 | 1 | 4 |
_aPN1995.9.S4 _bA73 2000 |
090 | _aNA 2588 .A73 2000 | ||
090 | _aNA 2588 .A73 2000 | ||
245 | 0 | 0 |
_aArchitecture + film II / _cguest-edited by Bob Fear. |
246 | 3 | _aArchitecture & film II | |
246 | 3 | _aArchitecture and film II | |
246 | 3 | _aArchitecture + film 2 | |
246 | 3 | _aArchitecture + film two | |
246 | 3 | _aArchitecture plus film II | |
246 | 3 | _aArchitecture plus film 2 | |
246 | 3 | _aArchitecture plus film two | |
260 |
_aLondon ; _aNew York : _bWiley-Academy, _c[2000] |
||
300 |
_a112 p. : _bill. (some col.) ; _c29 cm. |
||
490 | 1 |
_aArchitectural design, _x0003-8504 ; _vv. 70, no. 1 (Jan. 2000) |
|
490 | 1 |
_aProfile ; _vno. 143 |
|
520 | _aArchitecture + Film II "All you need to make a movie is a girl and a gun."-Jean-Luc Godard An integral part of today's culture, film has become a major frame of reference for architects, artists, writers and cultural theorists. Following up on the popularity of the 1994 issue of Architectural Design, 'Architecture and Film I', this title takes a multi-faceted look at the representation of architecture through the big screen. Examples are drawn from a wide range of cinematic periods and genres - early Film Noir, Soviet cinema, Jacques Tati, Mall Movies, Los Angeles disaster movies, cyborg and sci-fi, horror movies and James Bond. The association between architecture and film is explored from every angle, architecture is looked at as setting and scenery, and as subject. Film-makers give their account of making architectural documentaries; the evolution of cinema buildings from sideshow to arthouse is examined; the architect-turned-director Patrick Keiller is interviewed; and film-inspired architectural projects are featured. | ||
650 | 0 |
_aArchitecture in motion pictures. _996874 |
|
650 | 0 |
_aMotion pictures _xSetting and scenery. _996877 |
|
650 | 0 |
_aArchitecture _xThemes, motives. _996878 |
|
650 | 7 |
_aArchitecture. _2fast _0(OCoLC)fst00813346 _996881 |
|
650 | 7 |
_aArchitecture _xThemes, motives. _2fast _0(OCoLC)fst00813540 _996878 |
|
650 | 7 |
_aMotion pictures. _2fast _0(OCoLC)fst01027285 _996885 |
|
650 | 7 |
_aMotion pictures _xSetting and scenery. _2fast _0(OCoLC)fst01027381 _996877 |
|
700 | 1 |
_aFear, Bob. _99342 |
|
776 | 0 | 8 |
_iOnline version: _tArchitecture + film II. _dLondon ; New York : Wiley-Academy, [2000] _w(OCoLC)707164698 |
830 | 0 |
_aArchitectural design (London, England : 1971) ; _vv. 70, no. 1. _996887 |
|
830 | 0 |
_aArchitectural design profile ; _v143. _996889 |
|
907 |
_a41089 _b02-14-15 _c12-03-14 |
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942 |
_cBOOK _01 |
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998 |
_aaudmc _b12-03-14 _cm _da _e- _feng _genk _h0 |
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945 |
_g0 _i5114672 _j0 _laudmc _o- _p250.00 _q- _r- _s- _t1 _u1 _v0 _w1 _x0 _yi15690714 _z12-08-14 |
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999 |
_c41089 _d41089 |