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008			101025s2011 maua b 001 0 eng
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050	0	0	_aNX584.A1 _bS26 2011
090			_aNX 584 .A1 S26 2011
090			_aNX 584 .A1 S26 2011
100	1		_aSas, Miryam. _9156147
245	1	0	_aExperimental arts in postwar Japan : _bmoments of encounter, engagement, and imagined return / _cMiryam Sas.
260			_aCambridge, Mass. : _bHarvard University Asia Center : _bDistributed by Harvard University Press, _c2011.
300			_axvii, 275 p. : _bill. ; _c24 cm.
490	0		_aHarvard East Asian monographs ; _v329
504			_aIncludes bibliographical references (p. [257]-266) and index.
505	0		_aIntroduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
650		0	_aArts, Japanese _y20th century. _9160339
650		0	_aAvant-garde (Aesthetics) _zJapan. _9160340
852	1		_9P45.00usd
907			_a40563 _b07-17-14 _c06-29-14
942			_cBOOK _00
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