000 | 01894cam a2200361 a 4500 | ||
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001 | 40563 | ||
003 | DLC | ||
005 | 20240430145509.0 | ||
008 | 101025s2011 maua b 001 0 eng | ||
010 | _a 2010045150 | ||
020 |
_a9780674053403 : _c45.00 |
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020 |
_a0674053400 : _c45.00 |
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040 |
_aDLC _cDLC |
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043 | _aa-ja--- | ||
050 | 0 | 0 |
_aNX584.A1 _bS26 2011 |
090 | _aNX 584 .A1 S26 2011 | ||
090 | _aNX 584 .A1 S26 2011 | ||
100 | 1 |
_aSas, Miryam. _9156147 |
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245 | 1 | 0 |
_aExperimental arts in postwar Japan : _bmoments of encounter, engagement, and imagined return / _cMiryam Sas. |
260 |
_aCambridge, Mass. : _bHarvard University Asia Center : _bDistributed by Harvard University Press, _c2011. |
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300 |
_axvii, 275 p. : _bill. ; _c24 cm. |
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490 | 0 |
_aHarvard East Asian monographs ; _v329 |
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504 | _aIncludes bibliographical references (p. [257]-266) and index. | ||
505 | 0 | _aIntroduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms. | |
650 | 0 |
_aArts, Japanese _y20th century. _9160339 |
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650 | 0 |
_aAvant-garde (Aesthetics) _zJapan. _9160340 |
|
852 | 1 | _9P45.00usd | |
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_a40563 _b07-17-14 _c06-29-14 |
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