000			02262cam a22004698i 4500
001			ocn845084827
003			OCoLC
005			20240430145441.0
008			130526s2013 enk b 001 0 eng
010			_a 2013015955
019			_a858900485
020			_a9781441173805 (hardcover : alk. paper) : _c120.00
020			_a1441173803 (hardcover : alk. paper) : _c120.00
024	8		_a60001823333
035			_a(OCoLC)845084827 _z(OCoLC)858900485
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCQ _dYDXCP _dZCU _dIUL _dYUS
041	1		_aeng _hfre
042			_apcc
049			_aTSAA
050	0	0	_aB2430.D454 _bS2313 2013
090			_aB 2430 .D454 S2313 2013
090			_aB 2430 .D454 S2313 2013
100	1		_aSauvagnargues, Anne, _eauthor. _96186
240	1	0	_aDeleuze et l'art. _lEnglish
245	1	0	_aDeleuze and art / _cAnne Sauvagnargues ; translated by Samantha Bankston.
260			_aLondon ; _aNew York : _bBloomsbury Academic, _c2013.
263			_a1308
300			_avii, 228 pages ; _c24 cm.
490	1		_aBloomsbury studies in continental philosophy
504			_aIncludes bibliographical references and indexes.
505	0		_aCartographies of art: from literature to the image -- Critical and clinical: experimentation of margins and clinical functions -- The affect of force: semiotics and ethics -- The body without organs: Artaud and the critique of the organism -- The critique of interpretation and the machine -- Minor art -- Rhizomes and lines: schizophrenia and intensity -- The violence of sensation: imperceptible, indiscernible, impersonal -- Art and immanence: becoming versus resemblance -- Conclusions: the four principles of semiotics.
600	1	0	_aDeleuze, Gilles, _d1925-1995 _xAesthetics. _9156998
650		0	_aAesthetics, Modern _y20th century. _9157000
650		0	_aArts _xPhilosophy. _9157002
700	1		_aBankston, Samantha, _etranslator. _9157003
700	1		_iTranslation of: _aSauvagnargues, Anne. _tDeleuze et l'art. _96186
830		0	_aBloomsbury studies in continental philosophy. _912410
907			_a40050 _b03-19-14 _c03-19-14
942			_cBOOK _01
998			_aaudmc _b03-19-14 _cm _da _en _feng _genk _h0
945			_g0 _i5108073 _j0 _laudmc _o- _p442.00 _q- _r- _s- _t1 _u1 _v1 _w1 _x0 _yi15658971 _z03-19-14
999			_c40050 _d40050