000			02097cam a2200385Ia 4500
001			ocn768436411
003			OCoLC
005			20240430145343.0
008			111215s2011 ne a b 001 0deng d
020			_a9789064507205 : _c45.00
020			_a9064507201 : _c45.00
035			_a(OCoLC)768436411
040			_aNDD _cNDD _dOHX
041	1		_aeng _hdut
043			_ae-ne---
049			_aTSAA
050		4	_aNK1454.A1 _bK85 2011
072		7	_aNC _2lcco
090			_aNK 1454 .A1 K85 2011
090			_aNK 1454 .A1 K85 2011
100	1		_aKuijpers, Els. _9148324
245	1	0	_aOotje Oxenaar : _bdesigner and commissioner / _cEls Kuijpers.
246	3	4	_aR.D.E. (Ootje) Oxenaar
250			_aEng. ed.
260			_aRotterdam : _b010 Publishers, _c2011.
300			_a127 p. : _bill. (chiefly col.) ; _c27 cm.
504			_aIncludes bibliography (p. 123-124) and index.
520	8		_aThe role played by R.D.E. ('Ootje') Oxenaar in the development of Dutch graphic design is a fascinating one. In 1970 he joined the Department of Art and Design at what was then the Dutch Postal and Telecommunications Service (PTT). He was deputy head from then until 1976, when he took over as head of the department until 1994. It would be hard to overstate his importance as one of the key public principals of Dutch graphic design in those years. That success can be attributed to Oxenaar's own visual production from the early 1950s onward, and the position this earned him in the design field as a front-rank graphic designer. It enabled him to enlist the services at the PTT of many a prominent designer. This book relates these two capacities as the commissioning and the commissioned party by assessing precisely how graphic design functions in the community.
650		0	_aGraphic arts _zNetherlands. _9148325
700	1		_aOxenaar, R. D. E. _q(Robert Deodaat Emile), _d1929- _9148326
907			_a38728 _b05-09-13 _c05-09-13
942			_cBOOK _01
998			_aaudmc _b05-09-13 _cm _da _e- _feng _gne _h0
945			_g0 _i5149378 _j0 _laudmc _o- _p166.00 _q- _r- _s- _t1 _u1 _v0 _w1 _x0 _yi14917567 _z05-09-13
999			_c38728 _d38728