000			02750cam a2200361Ia 4500
001			ocn772692259
003			OCoLC
005			20240430145319.0
008			120113s2012 enka 001 0 eng d
020			_a9781856697958 (pbk.) : _c29.95
020			_a1856697959 (pbk.) : _c29.95
035			_a(OCoLC)772692259
040			_aYDXCP _cYDXCP _dBTCTA _dBDX _dERASA _dUKMGB _dBKX _dVP@ _dCDX _dIAD _dBWX _dORX _dYNK
049			_aTSAA
050		4	_aN5300 _b.B645 2012
090			_aN 5300 .B645 2012
090			_aN 5300 .B645 2012
100	1		_aBird, Michael, _d1958- _9144596
245	1	0	_a100 ideas that changed art / _cMichael Bird.
246	3		_aOne hundred ideas that changed art
246	3		_aHundred ideas that changed art
246	3	0	_aIdeas that changed art
246	3	0	_aArt
260			_aLondon : _bLaurence King Pub., _c2012.
300			_a216 p. : _bill. (some col.) ; _c27 cm.
500			_aIncludes index.
505	0		_aCave and rock art -- Fired clay -- Land as material -- Statue -- Wall painting -- Scaling up -- Narrative -- Relief carving -- Body as surface -- The nude -- Contrapposto -- Propaganda -- Lost-wax carving -- Paper -- Memorial -- Architectural sculpture -- Word as image -- Colored glass -- Frame -- Icon -- Making books -- The grotesque -- Erotic art -- Handwriting -- Mosaic -- Multi-panel painting -- Miniatures -- Oil paint -- Window on the world -- Mathematics -- Linear perspective -- Trompe-l'oeil -- Color codes -- Allegory -- Portrait -- The sketch -- Mirrors -- Printmaking -- Chiaroscuro -- Anatomy -- Still life -- Copying -- Canvas -- Camera obscura -- Reinventing Greek art -- Landscape -- Series -- Collections -- History painting -- Whiteness -- Academies -- Romanticism -- Authenticity -- The artist -- Watercolor -- Confronting reality -- Medievalism -- Dealing -- Capturing the instant -- Assemblage -- Commercial design -- Paint in tubes -- Photography -- Art colonies -- Artificial light -- The unconscious -- The primitive -- Multiple viewpoints -- Collage -- Machine forms -- Abstract art -- Satire -- Found objects -- Kinetic art -- Scenes of daily life -- Installation -- Expressing inner states -- Plastics -- Protest -- Documentary -- Chance -- Shock -- Welding -- Pop -- Less is more -- Opticality -- Hallucinogens -- Performance art -- Personal is political -- Moving images -- Conceptual art -- Titles -- Body as medium -- Street art -- Globalization -- Digital technology -- Museum -- Negative space -- The internet -- Ephemerality.
650		0	_aArt _xHistory. _9144598
907			_a38167 _b02-28-13 _c02-28-13
942			_cBOOK _01
998			_aaudmc _b02-28-13 _cm _da _e- _feng _genk _h0
945			_g0 _i5143221 _j0 _laudmc _o- _p110.00 _q- _r- _s- _t1 _u1 _v1 _w1 _x0 _yi14907471 _z02-28-13
999			_c38167 _d38167