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003 OCoLC
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008 110613r20112009enka b 000 0 eng d
015 _aGBB175574
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016 7 _a015830818
_2Uk
020 _a9781844677610 (pbk.) :
_c16.95
020 _a1844677613 (pbk.) :
_c16.95
035 _a(OCoLC)751723156
040 _aUKMGB
_beng
_cUKMGB
_dOI@
_dBDX
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049 _aTSAA
050 1 4 _aNX220
_b.R3613 2011
090 _aNX 220 .R3613 2011
090 _aNX 220 .R3613 2011
100 1 _aRancière, Jacques.
_96153
240 1 0 _aSpectateur émancipé.
_lEnglish
245 1 4 _aThe emancipated spectator /
_cJacques Rancière ; translated by Gregory Elliott.
260 _aLondon :
_bVerso,
_c2011.
300 _a134 p. :
_bill. ;
_c21 cm.
500 _aOriginally published: 2009.
504 _aIncludes bibliographical references.
505 0 _aThe emancipated spectator -- The misadventures of critical thought -- Aesthetic separation, aesthetic community -- The intolerable image -- The pensive image.
520 _aIn this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
650 0 _aAesthetics.
_9137595
650 0 _aImage (Philosophy)
_9137596
650 0 _aRepresentation (Philosophy)
_9137597
650 0 _aArts audiences
_xPsychology.
_9137599
650 0 _aArt appreciation
_xPhilosophy.
_9137601
907 _a37246
_b11-14-12
_c11-14-12
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