| 000 | 01581nam a22003375 4500 | ||
|---|---|---|---|
| 001 | 34437 | ||
| 008 | 120121s2011 xx eng d | ||
| 020 |
_a9783836527798 : _c14.99 |
||
| 020 |
_a3836527790 : _c14.99 |
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| 040 | _aBaker & Taylor | ||
| 050 | 1 | 4 |
_aPN1998.3.H58 _bD86 2011 |
| 069 | _a09915303 | ||
| 090 | _aPN 1998.3 .H58 D86 2011 | ||
| 100 | 1 | 0 |
_aDuncan, Paul, _d1964- _9109695 |
| 245 | 1 | 0 |
_aAlfred Hitchcock : _barchitect of anxiety 1899-1980 / _cPaul Duncan. |
| 260 | 0 |
_aKöln, Germany : _bTaschen, _cc2011. |
|
| 300 |
_a192 p. : _bill. (some col.), ports. (some col.) ; _c31 cm. |
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| 490 | 1 | _aComplete films | |
| 504 | _aIncludes bibliographical references. | ||
| 520 | _aHitchcock.s name is synonymous with suspense . that is to say, masterful, spine-tingling, thrilling, shocking, excruciating, eye-boggling suspense. With masterpieces such as Rebecca, Vertigo, Rear Window, and Psycho, Alfred Hitchcock (1899-1980) fashioned an extremely original approach to filmmaking that is oft imitated though never equaled. | ||
| 600 | 1 | 0 |
_aHitchcock, Alfred, _d1899-1980, _9109696 |
| 600 | 1 | 0 |
_aHitchcock, Alfred, _d1899-1980 _xCriticism and interpretation. _9109697 |
| 650 | 0 |
_aMotion picture producers and directors _zGreat Britain _vBiography. _9109699 |
|
| 830 | 0 |
_aComplete films. _9109701 |
|
| 852 | 1 | _9P14.99usd | |
| 907 |
_a34437 _b02-12-12 _c01-26-12 |
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| 942 |
_cBOOK _00 |
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| 998 |
_aaudmc _b01-26-12 _cm _da _e- _feng _ggw _h0 |
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_g0 _i5098468 _j0 _laudmc _o- _p55.01 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi13091517 _z01-26-12 |
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| 999 |
_c34437 _d34437 |
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