000 | 01782cam a2200373 a 4500 | ||
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001 | 82201746 //r87 | ||
003 | AE-DuAU | ||
005 | 20241127162515.0 | ||
008 | 050915s1982 enka b 00010 eng | ||
010 | _a 82201746 //r87 | ||
020 |
_a0714827576. _c£7.50 |
||
020 |
_a0714822264 (hard) : _c£10.50 |
||
050 | 0 |
_aND553.D3 _bR54 1982 |
|
090 | _aND 553 .D3 R54 1982 | ||
100 | 1 |
_aRoberts, Keith, _d1937- _938992 |
|
245 | 1 | 0 |
_aDegas / _cKeith Roberts ; with notes by Helen Langdon. |
250 | _aRev. and enl. ed. | ||
260 |
_aLondon; _bPhaidon, _c1982. |
||
300 |
_a31, [96] p. : _bill. (some col.) ; _c31 cm. |
||
336 |
_2rdacontent _atext _btxt |
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337 |
_2rdamedia _aunmediated _bn |
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338 |
_2rdacarrier _avolume _bnc |
||
440 | 0 |
_aPhaidon colour library _938993 |
|
504 | _aBibliography: p. 28. | ||
520 | 0 | _aDespite the popularity of his work, Edouard Degas has remained one of the most elusive of the Impressionists and Post-Impressionists. To his contemporaries he was always a very private man, rather aloof, self-absorbed and inclined to cynicism. However, few could fault his skill as an artist, and his acute vision, mastery of design, and meticulous attention to often ignored detail single him out as one of the most important figures in nineteenth-century art history. | |
600 | 1 | 0 |
_aDegas, Edgar, _d1834-1917. _938994 |
700 | 1 |
_aDegas, Edgar, _d1834-1917. _938994 |
|
700 | 1 |
_aLangdon, Helen. _938995 |
|
852 |
_9p110.50 _y12-23-1997 |
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907 |
_a313 _b08-12-10 _c08-06-10 |
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942 |
_cBOOK _01 |
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998 |
_aaudmc _b12-23-97 _cm _da _e- _feng _genk _h0 |
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_g0 _i11387 _j0 _laudmc _nCopy Type:01 - Books _o- _p406.09 _q- _r- _s- _t1 _u1 _v0 _w1 _x0 _yi10004506 _z08-06-10 |
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999 |
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