000			02033cam a2200361 a 4500
001			ocm08222945
003			AE-DuAU
005			20240701151359.0
008			090916s2009 enk b 001 0 eng
020			_a9780745646435 (paperback)
035			_a(AE-DuAU) 08222945
040			_aAE-DuAU _beng
041	1		_aeng
049			_aTSAUD
050		4	_aBH 301 .P78 R3613 2009
090			_aBH 301 .P78 R3613 2009
100	1		_aRancière, Jacques. _96153 _eauthor
245	1	4	_aThe aesthetic unconscious / _cJacques Rancière ; translated by Debra Keates and James Swenson.
250			_aEnglish ed.
260			_aCambridge ; _aMalden, MA : _bPolity, _cc2009.
300			_av, 95 pages : _c19 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references and index.
520			_aThis book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of the thought that does not think, and the power of the speech that remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's "aesthetic" analyses reveal instead a tension between the two forms of unconscious. --From publisher's description.
600	1	0	_aFreud, Sigmund, _d1856-1939 _xAesthetics. _9107243
650		0	_aAesthetics _xPsychological aspects. _9107245
650		0	_aSubconsciousness. _924961
700			_aKeates ,Debra _etranslator _9205872
700			_aSwenson , James _etranslator _9205873
942			_cBOOK _2lcc
999			_c24091 _d24091