000			02152cam a2200313u 4500
001			ocm32769903
003			OCoLC
005			20240430144219.0
007			ta
008			050916s1995 enka b 000 0 eng d
020			_a0714833347 (pbk.) : _c9.95
040			_aOCO _cOCO _dCPL _dTOL
090			_aN 6888 .D8 B34 1995
090			_aN6888.D8 _bB34 1995y
100	1		_aBailey, Martin, _d1947- _9177951
245	1	0	_aDurer / _cMartin Bailey
260			_aLondon : _bPhaidon Press, _c1995
300			_a126 p. : _bill. (some col.) ; _c31 cm
440		0	_aPhaidon colour library _9177952
504			_aIncludes bibliographical references (p. 26)
520		0	_aAlbrecht Durer (1471-1528) was one of the greatest artists of the Northern Renaissance, remarkable for the range and versatility of his work. His woodcuts and engravings made him famous throughout Europe and he is still regarded as one of the most brilliant printmakers of all time. Durer was equally successful at religious and secular subjects, painting magnificent altarpieces and powerful portraits. He also produced an impressive range of drawings and watercolours in a variety of media. The son of a Hungarian goldsmith, Durer grew up in Nuremberg, a town half-way between the Netherlands and Italy, and he found inspiration in the work of the painters of both these major artistic centres of his time. But rather than simply imitating what others were doing, Durer was very much an innovator; he is the first artist who is known to have painted a self-portrait and to have done a landscape painting of a specific scene. This book contains some of his best-loved works, including A Young Hare and Praying Hands.
600	1	0	_aDürer, Albrecht, _d1471-1528 _xCriticism and interpretation. _957801
700	1		_aDürer, Albrecht, _d1471-1528. _957801
852			_9p9.95 _y04-09-2005
907			_a18264 _b08-06-10 _c08-06-10
942			_cBOOK _03
998			_aaudmc _b04-09-05 _cm _da _e- _feng _genk _h0
945			_g0 _i660142 _j0 _laudmc _nCopy Type:01 - Books _o- _p36.57 _q- _r- _s- _t1 _u3 _v0 _w3 _x0 _yi1024721x _z08-06-10
999			_c18264 _d18264