000			02054cam a2200349u 4500
001			ocm55521409
003			OCoLC
005			20240430144211.0
007			ta
008			050916s2004 enka 001 0 eng d
020			_a1854375199
040			_aEQO _cEQO _dRSD _dOUN
090			_aNB 497 .W54 M85 2004
090			_aNB497.W54 _bM85 2004x
100	1		_aMullins, Charlotte. _9177704
245	1	0	_aRW : _bRachel Whiteread / _cCharlotte Mullins.
246	3		_aRachel Whiteread
260			_aLondon : _bTate, _c2004.
300			_a123 p. : _bcol. ill. ; _c27 cm.
440		0	_aModern artists _9177705
500			_aIncludes index.
520		0	_aRachel Whiteread (b. 1963) uses materials such as plaster, concrete, resin, and rubber to mold not the object itself but the area within or around it, single-handedly expanding the parameters of contemporary sculpture in the process. This book is the first significant survey of her career and includes a new commentary on key works by the artist. Whiteread first gained wide recognition in 1990 with Ghost, a plaster cast of the interior of an ordinary room. She won the Turner Prize in 1993, the same year as her first large-scale public project, House, a concrete cast of a 19th-century London row house. She has since completed additional site-specific projects: Holocaust Memorial in the Judenplatz, Vienna; Water Tower in New York; and Monument, installed on the empty fourth plinth in Trafalgar Square, London.
600	1	0	_aWhiteread, Rachel, _d1963- _xCriticism and interpretation. _9121914
650		0	_aSculpture, British _y20th century. _9177706
700	1		_aWhiteread, Rachel, _d1963- _9121914
830		0	_aModern artists (London, England) _9177707
852			_9p27.50 _y12-01-2004
907			_a17988 _b08-06-10 _c08-06-10
942			_cBOOK _01
998			_aaudmc _b12-01-04 _cm _da _e- _feng _genk _h0
945			_g0 _i653386 _j0 _laudmc _nCopy Type:01 - Books _o- _p101.06 _q- _r- _s- _t1 _u1 _v0 _w1 _x0 _yi1024394x _z08-06-10
999			_c17988 _d17988