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_c29.95
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_cDLC
050 0 0 _aNA6695
_b.T94 1999
069 _a01479174
090 _aNA 6695 .T94 1999 v.1
090 _aNA 6695 .T94 1999
245 0 0 _aTwentieth-century museums I /
_c[introduction by James S. Russell].
260 _aLondon :
_bPhaidon,
_c1999-
300 _av. 1 :
_bill. (some col.) ;
_c31 cm.
440 0 _aArchitecture 3s
_977714
500 _aOriginally published 1992-1998 in series: Architecture in detail.
504 _aIncludes bibliographical references.
505 0 _a1. Ludwig Mies van der Rohe, New National Gallery, Berlin, 1962-8 / Maritz Vandenberg -- Louis I. Kahn, Kimbell Art Museum, Fort Worth, Texas, 1972 / Michael Brawne -- Richard Meier, Museum f r Kunsthandwerk, Frankfurt am Main, 1985 / Michael Brawne
520 0 _aThe Museum of Modern Art in Gunma, surrounded by parkland, is the most complete realization by Isozaki of a conceptual approach to museum design. The Clore Gallery, London, was built to house the Tate Gallery's superb collection of paintings by J M W Turner, while the Tate in Liverpool was created out of a magnificent 1845 dockside warehouse; both are examined here within the context of Stirling & Wilford's oeuvre at the time of construction. James Ingo Freed's United States Holocaust Memorial Museum is one of the late twentieth century's most profound architectural statements, managing subtly and symbolically to disengage itself from the city where is stands. By considering these museums together, the reader can examine the varying approaches taken by different architectural practices in separate continents to meeting the challenges of adventurous museum commissions.
650 0 _aArt museum architecture.
_977715
650 0 _aArchitecture, Modern
_y20th century.
_977716
710 2 _aPhaidon Press.
_970943
852 _9p29.95
_y05-20-2003
907 _a14571
_b08-06-10
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