000			02206nam a2200385 a 4500
001			93061831
003			DLC
005			20240430143944.0
008			050915r19941978enka b 001 0 eng
010			_a 93061831
020			_a0500202753 : _c16.95
040			_aDLC _cDLC
050	0	4	_aN6465.R6 _bV38 1994
069			_a09930635
090			_aN 6465 .R6 V38 1994
090			_aN 6465 .R6 V38 1994
100	1		_aVaughan, William, _d1943- _973473
240	1	0	_aRomantic art
245	1	0	_aRomanticism and art / _cWilliam Vaughan.
260			_aLondon : _bThames and Hudson, _cc1994.
300			_a288 p. : _bill. (some col.) ; _c21 cm.
440		0	_aWorld of art _973474
500			_aPreviously published as: Romantic art. London : Thames and Hudson, 1978.
504			_aIncludes bibliographical references (p. 281-282) and index.
520		0	_aIn the age of revolutions, at the end of the eighteenth century, the mental and spiritual life of North America and Europe began to undergo a historic and irreversible change. The ideas of spontaneity, direct expression and natural feeling transformed the arts, encouraging artists to explore the extremes in human nature, from heroism to insanity and despair. Widely praised on its previous appearance as Romantic Art and now revised, William Vaughan's classic study analyzes the achievement of the leading artists of the age - masters such as Goya, Blake, Gericault, Turner and Delacroix - and sets in context a host of fascinating figures in painting, sculpture and architecture: Palmer, Runge, Soane, Gros, Overbeck, Schinkel, Flaxman, Pugin, Bingham and many more. The result is an invaluable account of a dramatic and contradictory artistic epoch.
650		0	_aRomanticism in art. _973475
650		0	_aArt, Modern _y19th century. _973476
852			_9p16.95 _y12-22-2001
907			_a13275 _b08-06-10 _c08-06-10
942			_cBOOK _00
998			_aaudmc _b12-22-01 _cm _da _e- _feng _genk _h0
935			_a2ND BK OR 2000-2001
945			_g0 _i623124 _j0 _laudmc _nCopy Type:01 - Books _o- _p62.29 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi10187741 _z08-06-10
999			_c13275 _d13275