000			03820cam a2200445 a 4500
001			98049066
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008			050915s1999 ctuab b 001 0 eng
010			_a 98049066
020			_a0300079397 : _c25.00
040			_aDLC _cDLC _dDLC
043			_ae-it---
050	0	0	_aN6916 _b.W5 1999
069			_a09930635
090			_aN 6916 .W5 1999
090			_aN 6916 .W5 1999
100	1		_aWittkower, Rudolf. _960625
245	1	0	_aArt and architecture in Italy, 1600-1750 / _cRudolph Wittkower ; revised by Joseph Connors and Jennifer Montagu.
250			_a6th ed.
260			_aNew Haven : _bYale University Press, _c1999.
300			_a3 v. : _bill. (some col.), maps ; _c30 cm.
440		0	_aPelican history of art _973016
504			_aIncludes bibliographical references and index.
505	0		_a-- Architecture -- Introduction: Late Baroque Classicism and Rococo -- Rome -- Carlo Fontana (1638-1714) - The Eighteenth Century -- Northern Italy and Florence -- Naples and Sicily -- Architecture in Piedmont -- The Prelude -- Guarino Guarini (1624-83) -- Filippo Juvarra (1678-1736) -- Bernardo Vittone (1702, not 1704/5-70) -- Sculpture -- Rome -- Typological Changes: Tombs and Allegories -- Sculpture outside Rome -- Painting -- Naples and Rome -- Florence and Bologna -- Northern Italy outside Venice -- Venice -- Sebastiano Ricci and Piazzetta - Pellegrini, Amigoni, Pittoni, Balestra - Giambattista Tiepolo (1696-1770) -- The Genres -- Portraiture - The Popular and Bourgeois Genre - Landscape, Vedute, Ruins.
520			_aArt and Architecture in Italy 1600-1750 is the largest volume in the Pelican History of Art series covering almost two hundred years of architecture, sculpture and painting in a country that, for most of the first hundred, was the leading centre of European art. The baroque style created and developed there was to dominate the rest of the continent (and much of South America). Although Rome was at the forefront of the new style, developments in the provincial centres of Milan, Venice, Bologna, Naples and dozens of smaller towns are also surveyed, and the work of Bernini, Borromini and Caravaggio is balanced by that of Ricchini, Guarini and Tiepolo as well as numerous minor masters. This book has justly acquired canonical status, because of the lasting validity of the 'bird's-eye view of the whole panorama' which Wittkower gave, and the balance which he so brilliantly struck, reserving a detailed discussion for those works of art and architecture which, 'owing to their intrinsic merit and historical importance, appear to be in a special class'. It has now been revised and updated to include the wealth of recent research on this period.
650		0	_aArt, Italian _y17th century. _973017
650		0	_aArt, Italian _y18th century. _973018
700	1		_aConnors, Joseph. _966545
700	1		_aMontagu, Jennifer. _973019
852			_9p25.00 _y07-17-2001
907			_a13150 _b08-06-10 _c08-06-10
942			_cBOOK _05
998			_aaudmc _b07-17-01 _cm _da _e- _feng _gctu _h0
905			_aRudolf Wittkower was Durning-Lawrence Professor of the History of Art at the University of London, Chairman of the Department of Art History and Archaeology at Columbia University, Kress Professor at the National Gallery of Art, Washington, and Slade Professor at Cambridge
905			_aJoseph Connors is Professor of Art History and Archaeology at Columbia University.
905			_aJennifer Montagu was Curator of the Photographic Collection at the Warburg Institute, University of London.
935			_a2ND BK OR 2000-2001
945			_g0 _i621896 _j0 _laudmc _nCopy Type:01 - Books _o- _p91.88 _q- _r- _s- _t1 _u5 _v0 _w5 _x0 _yi10186232 _z08-06-10
999			_c13150 _d13150