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_c40.00
040 _aDLC
_cDLC
_dDLC
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050 0 0 _aTR185
_b.B32 2001
069 _a09766378
090 _aTR 185 .B32 2001
090 _aTR 185 .B32 2001
100 1 _aBatchen, Geoffrey.
_971419
245 1 0 _aEach wild idea :
_bwriting, photography, history /
_cGeoffrey Batchen.
260 _aCambridge, Mass. :
_bMIT Press,
_cc2001.
300 _axi, 236 p. :
_bill. ;
_c24 cm.
336 _2rdacontent
_atext
_btxt
337 _2rdamedia
_aunmediated
_bn
338 _2rdacarrier
_avolume
_bnc
504 _aIncludes bibliographical references and index.
505 0 _aDesiring Production -- Australian Made -- Vernacular Photographies -- Taking and Making -- Post-Photography -- Ectoplasm -- Photogenics -- Obedient Numbers, Soft Delight -- Da[r]ta.
520 _aIn Each Wild Idea, Geoffrey Batchen explores widely ranging aspects of photography, from the timing of photography's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography.
520 8 _aThe essays all focus on a consideration of specific photographs -- from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at -- rather than beyond -- the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
650 0 _aPhotography.
_971420
650 0 _aPhotography
_xPhilosophy.
_971421
852 _9p40.00
_y08-26-2002
907 _a12683
_b08-06-10
_c08-06-10
942 _cBOOK
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_feng
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_h0
905 _aGeoffrey Batchen is Associate Professor, Department of Art and Art History, the University of New Mexico
935 _aPO-10338 GEN4
945 _g0
_i630095
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