000			02168cam a2200409 a 4500
001			96086852
003			DLC
005			20240430143917.0
008			050915s1997 nyua bc 000 0 eng
010			_a 96086852
020			_a0810946874 : _c11.98
040			_aDLC _cDLC _dDLC _dNjSoBT
041	1		_aeng _hspa
050	0	0	_aND653.M76 _bA4 1997
069			_a09927159
090			_aND 653 .M76 A4 1997
090			_aND 653 .M76 A4 1997
100	1		_aMondrian, Piet, _d1872-1944. _948199
240	1	0	_aMondrian. _lEnglish
245	1	0	_aMondrian / _cgeneral editor, José María Faerna ; translated from the Spanish by Alberto Curotto.
260			_aNew York : _bCameo/Abrams, _c1997.
300			_a64 p. : _bill. (some col.) ; _c32 cm.
440		0	_aGreat modern masters _970375
504			_aIncludes bibliographical references (p. 63).
520		0	_aAfter encountering Cubism in 1911, the Dutch abstract painter Piet Mondrian (1872-1944) dedicated himself to eliminating all nonessential elements from his work. His ultimate goal was "the expression of pure reality". By 1918 his subject matter consisted of nothing but vertical and horizontal rectangles and lines, his palette limited to black, white, and gray and the primary colors red, blue, and yellow. Working with this limited range, Mondrian created some of the most grandly austere, and at the same time exhilarating, paintings of the 20th century.
520	8	0	_aThis invaluable introduction takes the reader to the artist's finest works of every period, more than 60 of which are illustrated in full color.
600	1	0	_aMondrian, Piet, _d1872-1944 _vCatalogs. _948199
600	1	0	_aMondrian, Piet, _d1872-1944 _xCriticism and interpretation. _948199
700	1		_aFaerna, José María. _967594
852			_9p8.39 _y08-27-2001
907			_a12378 _b08-06-10 _c08-06-10
942			_cBOOK _02
998			_aaudmc _b08-27-01 _cm _da _e- _feng _gnyu _h0
935			_a2ND BK OR 2000-2001
945			_g0 _i621029 _j0 _laudmc _nCopy Type:01 - Books _o- _p30.83 _q- _r- _s- _t1 _u2 _v0 _w2 _x0 _yi10176664 _z08-06-10
999			_c12378 _d12378