000 | 02958cam a2200397 a 4500 | ||
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001 | ocm00000003 | ||
003 | DLC | ||
005 | 20240430143916.0 | ||
008 | 050915s1995 ctuaf b 001 0 eng | ||
010 | _a 95001223 | ||
020 |
_a0300055668 : _c55.00 |
||
040 |
_aDLC _cDLC _dDLC |
||
043 |
_an-us--- _an-usp-- |
||
050 | 0 | 0 |
_aN6537.R4 _bN46 1995 |
069 | _a09927159 | ||
090 | _aN 6537 .R4 N46 1995 | ||
090 | _aN 6537 .R4 N46 1995 | ||
100 | 1 |
_aNemerov, Alexander. _970275 |
|
245 | 1 | 0 |
_aFrederic Remington & turn-of-the-century America / _cAlexander Nemerov. |
246 | 1 | 8 | _aFrederic Remington and turn-of-the-century America |
260 |
_aNew Haven : _bYale University Press, _cc1995. |
||
300 |
_ax, 244 p., [8] p. of plates : _bill. (some col.) ; _c26 cm. |
||
440 | 0 |
_aYale publications in the history of art _970276 |
|
504 | _aIncludes bibliographical references (p. 235-238) and index. | ||
520 | 0 | _aOne of the most enduringly popular American artists, Frederic Remington created romantic images of the Old West that inspire a nostalgic longing for a simpler era. Despite his popularity - or perhaps because of it - Remington's work is rarely treated seriously by art critics: it has been both dismissed as cliched and condemned for its frank and unrepentant racist themes. This engrossing book by Alexander Nemerov will change perceptions of Remington and open new fields of investigation in the study of American art. Nemerov treats Remington's paintings and sculptures not as mere illustrations of the frontier experience but as complex, imaginative inventions, and he argues that Remington's politics and aesthetics are intrinsically related. Drawing on the methods of literary theory, psychoanalysis, and material culture studies, as well as art history, Nemerov places Remington's art in the context of the cultural and ideological currents of his times: social evolution; imperialism (specifically the Spanish-American War); widespread immigration and the resulting crisis of Anglo-Saxon identity; concerns about memory, telepathy, and the recovery of the past; and doubts about the mimetic powers of painting and writing. Nemerov neither celebrates Remington nor debunks him; rather, he succeeds in restoring his art to its centrally important place, largely forgotten now, in turn-of-the-century American culture. | |
600 | 1 | 0 |
_aRemington, Frederic, _d1861-1909 _xCriticism and interpretation. _94510 |
650 | 0 |
_aArt and society _zUnited States _xHistory _y19th century. _970277 |
|
651 | 0 |
_aWest (U.S.) _vIn art. _970278 |
|
852 |
_9p55.00 _y08-27-2001 |
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907 |
_a12348 _b08-06-10 _c08-06-10 |
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942 |
_cBOOK _00 |
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998 |
_aaudmc _b08-27-01 _cm _da _e- _feng _gctu _h0 |
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935 | _a2ND BK OR 2000-2001 | ||
945 |
_g0 _i620302 _j0 _laudmc _nCopy Type:01 - Books _o- _p202.13 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi10176329 _z08-06-10 |
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999 |
_c12348 _d12348 |