000 | 01711cam a2200397 a 4500 | ||
---|---|---|---|
001 | 98020439 //r98 | ||
003 | DLC | ||
005 | 20240430143916.0 | ||
008 | 050915s1998 enka b 001 0 eng | ||
010 | _a 98020439 //r98 | ||
020 |
_a0521646103 : _c14.95 |
||
040 |
_aDLC _cDLC _dDLC |
||
043 | _ae-fr--- | ||
050 | 0 | 0 |
_aND548.5.C82 _bC68 1998 |
069 | _a09927159 | ||
090 | _aND 548.5 .C82 C68 1998 | ||
090 | _aND 548.5 .C82 C68 1998 | ||
100 | 1 |
_aCottington, David. _9392 |
|
245 | 1 | 0 |
_aCubism / _cDavid Cottington. |
260 |
_aCambridge [England] ; _aNew York : _bCambridge University Press, _c1998. |
||
300 |
_a80 p. : _bcol. ill. ; _c25 cm. |
||
440 | 1 | 0 |
_aMovements in modern art _957653 |
504 | _aIncludes bibliographical references (p. 78) and index. | ||
520 | 0 | _aAnalyzing paintings by Picasso, Braque, Robert and Sonia Delauney, and their associates, David Cottington describes how the artistic avant-garde, and Cubism within it, was formed in France by the turbulent and complex decade before the outbreak of war in 1914. 40 color plates and 20 b&w photos. | |
650 | 0 |
_aCubism _zFrance. _970239 |
|
650 | 0 |
_aPainting, French. _970240 |
|
650 | 0 |
_aPainting, Modern _y20th century _zFrance. _970241 |
|
830 | 0 |
_aMovements in modern art (Cambridge, England) _957653 |
|
852 |
_9p14.95 _y08-27-2001 |
||
907 |
_a12337 _b08-06-10 _c08-06-10 |
||
942 |
_cBOOK _05 |
||
998 |
_aaudmc _b08-27-01 _cm _da _e- _feng _genk _h0 |
||
935 | _a2ND BK OR 2000-2001 | ||
945 |
_g0 _i619957 _j0 _laudmc _nCopy Type:01 - Books _o- _p54.94 _q- _r- _s- _t1 _u5 _v0 _w5 _x0 _yi10176160 _z08-06-10 |
||
999 |
_c12337 _d12337 |