Item type | Current library | Home library | Collection | Shelving location | Call number | Status | Date due | Barcode | |
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Books | American University in Dubai | American University in Dubai | Non-fiction | Main Collection | ND 237 .R28 A4 1998 (Browse shelf(Opens below)) | Available | 609768 |
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ND 237 .P73 L36 1989 Jackson Pollock / | ND 237 .P73 S68 1998 The essential Jackson Pollock / | ND 237 .P73 T63 1968 Pollock: the life and work of the artist; illustrated with 80 colour plates, | ND 237 .R28 A4 1998 John Register : persistent observer / | ND 237 .R36 A4 2003 Frederic Remington : the color of night / | ND 237 .R725 A4 1998 Mark Rothko : the works on canvas : catalogue raisonné / | ND 237 .R725 B23 2009 Mark Rothko 1903-1970 : pictures as drama / |
Exhibition held at San Jose Museum of Art, San Jose, Calif., Jan. 16-May 9, 1999 and others.
The realist paintings of John Register (1939-1996) evoke the modern American West with unique clarity and chromatic richness. And no one can describe Register's artistic transformations better than Barnaby Conrad III, curator for the first Register retrospective to tour the West.
A former editor of Art World magazine and former senior editor of Hot magazine, Conrad wrote The Martini and The Cigar, top-selling illustrated histories. Conrad also knew Register personally, and his biographical narrative in John Register: Persistent Observer is as sharp and lurid as Register's oil paintings. As Conrad puts it, Register's eerily realistic depictions of "empty coffeeshops in Los Angeles, old hotels in Chicago and bus stations in the Southwestern desert celebrate sunlight, but also a haunting stillness tinged with regret and hope".
Once a highly paid associate creative director at Ogilvy & Mather, Register, at the age of 33, abruptly abandoned a Madison Avenue career and never returned to the office. He spent the next 24 years producing oil paintings, some of which are owned by the San Francisco Museum of Modem Art and other museums
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