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Andre Kertesz / with an essay by Carole Kismaric.

By: Contributor(s): Series: Aperture masters of photography ; no. 11Publication details: New York, N.Y. : Aperture, c1993.Description: 95 p. : ill. ; 21 cmISBN:
  • 0893813621 :
Subject(s): LOC classification:
  • TR653 .K4646 1994
Summary: "I write with light", Andre Kertesz once said of his work. In one of the medium's longest, most productive careers, he created a vast and lyric narrative that shaped the history of photography. The first proponent of the small-format 35-millimeter camera, Kertesz created stunning images of everyday moments, memories, and scenes. His role in the art world was marked by periods of rapturous acclaim and times of regrettable neglect. In pre-World War II Paris, he was recognized as a pioneer in the medium and a celebrated member of a milieu that included Piet Mondrian, Fernand Leger, and Tristan Tzara. Subsequently, he was known as the inspiration to a generation of photographers, including Man Ray, Brassai, Laszlo Moholy-Nagy, and Berenice Abbott. In later years, however, he endured long periods of obscurity. It was not until the early 1960s that a subsequent generation began to look anew and recognize Kertesz's genius. Through more than sixty years of photographing, he worked without pretense, using the camera to question, to record, and to preserve his relationships to the world and to his art. Collected here are the finest images from his life's work.
Holdings
Item type Current library Home library Shelving location Call number Status Date due Barcode
Books Books American University in Dubai American University in Dubai Main Collection TR 653 .K4646 1994 (Browse shelf(Opens below)) Available 602904

"With an essay by Carole Kismaric"--label on t.p.

"I write with light", Andre Kertesz once said of his work. In one of the medium's longest, most productive careers, he created a vast and lyric narrative that shaped the history of photography. The first proponent of the small-format 35-millimeter camera, Kertesz created stunning images of everyday moments, memories, and scenes. His role in the art world was marked by periods of rapturous acclaim and times of regrettable neglect. In pre-World War II Paris, he was recognized as a pioneer in the medium and a celebrated member of a milieu that included Piet Mondrian, Fernand Leger, and Tristan Tzara. Subsequently, he was known as the inspiration to a generation of photographers, including Man Ray, Brassai, Laszlo Moholy-Nagy, and Berenice Abbott. In later years, however, he endured long periods of obscurity. It was not until the early 1960s that a subsequent generation began to look anew and recognize Kertesz's genius. Through more than sixty years of photographing, he worked without pretense, using the camera to question, to record, and to preserve his relationships to the world and to his art. Collected here are the finest images from his life's work.

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