Chapter 1: From Mobile Crimes to Crimes of Mobility Maarit Piipponen, Helen Mantymaki and Marinella Rodi-Risberg PART 1: Crime on the Move: Transnational Crime and Global Capitalism Chapter 2: Transnational Crime in Deon Meyer's Devil's Peak and Santiago Gamboa's Night Prayers Sam Naidu Chapter 3: Temporal, (Trans)national and Human Mobility in Maria Ines Krimer's Kosher Trilogy Carolina Miranda Chapter 4: Abdelilah Hamdouchi's Whitefly: Transnational Crime, Globalisation and the Arabic Police Procedural Colette Guldimann Chapter 5: Systemic Violence in the Borderlands: Anthony J. Quinn's Border Angels and Alicia Gaspar de Alba's Desert Blood Eoin D. McCarney Chapter 6: Transnational Female Sex Trafficking in Naia Marie Aidt's 'Women in Copenhagen,' Matt Johnson's Deadly Game, and Stuart Neville's Stolen Souls Charlotte Beyer PART 2: Historicising Mobility and Agency Chapter 7: The Socially Mobile Female in Victorian and Neo-Victorian Mysteries Meghan P. Nolan Chapter 8: Liminal Spaces in Laurie R. King's Touchstone and Keeping Watch Mary Ann Gillies Chapter 9: Urban Mobility and Technology in Carlo Lucarelli's Almost Blue Barbara Pezzotti Chapter 10: Crime and Detection in a Virtually Mobile World: Tom Hillenbrand's Drohnenland Heike Henderson PART 3: Genre Borderlands: Generic Mobility and Hybridisation Chapter 11: Criminal/Liminal/Seminal: Nordic Border Crossings and Crossers in Contemporary Geopolitical Television Robert A. Saunders Chapter 12: Across National, Cultural and Ethnic Borders: The Detectives in Olivier Truc's Reindeer Police Series Andrea Hynynen Chapter 13: Splatter Horror Crime: Crossing Medial Borders in Jo Nesb's The Snowman Niklas Salmose Chapter 14: Affective Estrangement and Ecological Destruction in TV Crime Series Fortitude Aino-Kaisa Koistinen and Helen Mantymaki Chapter 15: Sophie Hannah's Hurting Distance as Crime Trauma Fiction Marinella Rodi-Risberg.

Chapter 1: From Mobile Crimes to Crimes of Mobility, Maarit Piipponen, Helen Mantymaki and Marinella Rodi-Risberg -- Chapter 2: Transnational Crime in Deon Meyer's Devil's Peak and Santiago Gamboa's Night Prayers, Sam Naidu -- Chapter 3: Temporal, (Trans)national and Human Mobility in Maria Ines Krimer's Kosher Trilogy, Carolina Miranda -- Chapter 4: Abdelilah Hamdouchi's Whitefly: Transnational Crime, Globalisation and the Arabic Police Procedural, Colette Guldimann -- Chapter 5: Systemic Violence in the Borderlands: Anthony J. Quinn's Border Angels and Alicia Gaspar de Alba's Desert Blood, Eoin D. McCarney -- Chapter 6: Transnational Female Sex Trafficking in Naia Marie Aidt's "Women in Copenhagen," Matt Johnson's Deadly Game, and Stuart Neville's Stolen Souls, Charlotte Beyer -- Chapter 7: The Socially Mobile Female in Victorian and Neo-Victorian Mysteries, Meghan P. Nolan -- Chapter 8: Liminal Spaces in Laurie R. King's Touchstone and Keeping Watch, Mary Ann Gillies -- Chapter 9: Urban Mobility and Technology in Carlo Lucarelli's Almost Blue, Barbara Pezzotti -- Chapter 10: Crime and Detection in a Virtually Mobile World: Tom Hillenbrand's Drohnenland, Heike Henderson -- Chapter 11: Criminal/Liminal/Seminal: Nordic Border Crossings and Crossers in Contemporary Geopolitical Television, Robert A. Saunders -- Chapter 12: Across National, Cultural and Ethnic Borders: The Detectives in Olivier Truc's Reindeer Police Series, Andrea Hynynen -- Chapter 13: Splatter Horror Crime: Crossing Medial Borders in Jo Nesb's The Snowman, Niklas Salmose -- Chapter 14: Affective Estrangement and Ecological Destruction in TV Crime Series Fortitude, Aino-Kaisa Koistinen and Helen Mantymaki -- Chapter 15: Sophie Hannah's Hurting Distance as Crime Trauma Fiction, Marinella Rodi-Risberg.

Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts' wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.

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